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Shloka 14

Exposition of the Duties of Ascetics

Saṃnyāsa-Dharma

एवं ज्ञानपरो योगी ब्रह्मभूयाय कल्पते । एकवासाथ वा विद्वान्कौपीनाच्छादनोपि वा

evaṃ jñānaparo yogī brahmabhūyāya kalpate | ekavāsātha vā vidvānkaupīnācchādanopi vā

एवं ज्ञानपरो योगी ब्रह्मभूयाय कल्पते । एकवासाथ वा विद्वान्कौपीनाच्छादनोपि वा ॥

एवम्thus/in this manner
एवम्:
Prakara (प्रकार/Adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय (adverb/manner)
ज्ञानपरःdevoted to knowledge
ज्ञानपरः:
Karta (कर्ता) विशेषण
TypeAdjective
Rootज्ञान + पर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; तत्पुरुष (ज्ञाने परः = devoted to knowledge)
योगीa yogin
योगी:
Karta (कर्ता)
TypeNoun
Rootयोगिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; -इन्-प्रातिपदिक
ब्रह्मभूयायfor Brahmanhood/state of Brahman
ब्रह्मभूयाय:
Sampradana (सम्प्रदान/Dative goal)
TypeNoun
Rootब्रह्म + भूय (प्रातिपदिक)
Formनपुंसकलिङ्ग, चतुर्थी (4th/Dative), एकवचन; तत्पुरुष (ब्रह्मणः भूयम्/ब्रह्मत्वम्)
कल्पतेis fit/comes to be
कल्पते:
Kriya (क्रिया)
TypeVerb
Root√कॢप् (धातु)
Formलट् (Present), आत्मनेपद, प्रथमपुरुष (3rd person), एकवचन
एकवासाःwearing a single garment
एकवासाः:
Karta (कर्ता) विशेषण
TypeAdjective
Rootएक + वासस् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; द्विगु-समास (एकं वासः यस्य = having one garment)
अथor/then
अथ:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootअथ (अव्यय)
Formअव्यय (conjunction/particle)
वाor
वा:
Vikalpa (विकल्प/Alternative)
TypeIndeclinable
Rootवा (अव्यय)
Formविकल्पार्थक-निपात (disjunctive particle)
विद्वान्a learned man
विद्वान्:
Karta (कर्ता)
TypeNoun
Rootविद्वस् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; विद्वस्-प्रातिपदिक (irregular)
कौपीनाच्छादनःcovered only by a loincloth
कौपीनाच्छादनः:
Karta (कर्ता) विशेषण
TypeAdjective
Rootकौपीन + आच्छादन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; तत्पुरुष (कौपीनम् आच्छादनम् यस्य = whose covering is a loincloth)
अपिalso/even
अपि:
Sambandha (सम्बन्ध/Emphasis)
TypeIndeclinable
Rootअपि (अव्यय)
Formनिपात (particle; 'also/even')
वाor
वा:
Vikalpa (विकल्प)
TypeIndeclinable
Rootवा (अव्यय)
Formविकल्पार्थक-निपात

Unspecified in the provided excerpt (context needed from surrounding verses of Svargakhaṇḍa 3.59).

Concept: A yogin devoted to knowledge becomes fit for brahma-bhūya (Brahman-realization); external austerity (single cloth or loincloth) is secondary to inner jñāna-yoga.

Application: Prioritize inner clarity—study with humility, meditate consistently, reduce possessions; let simplicity serve contemplation rather than become a badge of identity.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A realized yogin sits beside a still forest pool, wearing only a simple single cloth, his body relaxed yet radiant with quiet knowledge. Above him, a subtle vision of a lotus opening in the sky hints at brahma-bhūya—expansive consciousness—while the forest reflects perfect stillness.","primary_figures":["jñāna-yogin (wise ascetic)"],"setting":"forest clearing with a calm pool, scattered fallen leaves, and a distant hermitage barely visible through trees","lighting_mood":"moonlit","color_palette":["silver moonlight","midnight blue","soft saffron","moss green","pearl white"],"tanjore_prompt":"Tanjore painting style: seated yogin with a broad gold leaf aura, a celestial lotus motif above, rich maroon border and emerald foliage, delicate gold highlights on water ripples, emphasizing brahma-bhūya through luminous ornamented stillness.","pahari_prompt":"Pahari miniature style: cool moonlit forest palette, fine brushwork on water reflections, the yogin’s serene face rendered with refined features, a faint lotus in the sky as a poetic symbol of realization, spacious composition.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized pool and trees, the yogin in minimal cloth with a pale golden aura, natural pigment reds/yellows/greens balanced by deep blue background, temple-wall gravitas.","pichwai_prompt":"Pichwai cloth painting style: central ascetic figure framed by lotus borders, deep blue cloth ground with gold lotus motifs, subtle halo, peacocks and vines subdued to keep focus on shānta-jñāna, intricate floral filigree around the edges."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["night insects","soft water ripple","distant conch (very faint)","long silence"]}

Sandhi Resolution Notes: ekavāsātha = ekavāsāḥ + atha (visarga sandhi); vidvānkaupīnācchādano'pi = vidvān + kaupīna-ācchādanaḥ + api (n+k→ṅk; a+a→ā; o'pi = aḥ + api).

FAQs

It teaches that steadfast devotion to liberating knowledge (jñāna) makes a yogin fit for Brahman-realization, regardless of external markers like clothing or austerity.

To show that outward appearance and minimal possessions are secondary; the decisive factor is inner realization and commitment to knowledge, not social display.

It encourages simplicity and non-attachment, valuing inner discipline and wisdom over external status, luxury, or performative religiosity.