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Shloka 12

Teaching of Karma-yoga

Student Conduct, Vedic Study, and Gāyatrī Supremacy

वर्जयेत्सन्निधौ नित्यमंगस्फोटनमेव च । यथाकालमधीयीत यावन्न विमना गुरुः

varjayetsannidhau nityamaṃgasphoṭanameva ca | yathākālamadhīyīta yāvanna vimanā guruḥ

वर्जयेत्सन्निधौ नित्यमङ्गस्फोटनमेव च । यथाकालमधीयीत यावन्न विमना गुरुः ॥

varjayetshould avoid
varjayet:
Kriyā (क्रिया)
TypeVerb
Rootvṛj / varj (धातु; √वर्ज्)
FormOptative/vidhi-liṅ (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन); Parasmaipada (परस्मैपद)
sannidhauin the presence
sannidhau:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsannidhi (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
nityamalways
nityam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootnitya (प्रातिपदिक)
FormAdverbial accusative (क्रियाविशेषण-रूपेण द्वितीया एकवचन)
aṅga-sphoṭanamcracking/stretching the limbs
aṅga-sphoṭanam:
Karma (कर्म)
TypeNoun
Rootaṅga (प्रातिपदिक) + sphoṭana (प्रातिपदिक)
FormTatpuruṣa (षष्ठी-तत्पुरुष: ‘of the limbs’), Neuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
evaindeed/just
eva:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rooteva (अव्यय)
FormEmphatic particle (अवधारण-अव्यय)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय-अव्यय)
yathā-kālamat the proper time
yathā-kālam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootyathā (अव्यय) + kāla (प्रातिपदिक)
FormAvyayībhāva (अव्ययीभाव: ‘according to time’), adverbial usage
adhīyītashould study/recite
adhīyīta:
Kriyā (क्रिया)
TypeVerb
Rootadhi-√i (धातु; अधि+√इ) / adhī (धातु)
FormOptative/vidhi-liṅ (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन); Ātmanepada (आत्मनेपद)
yāvatuntil/as long as
yāvat:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootyāvat (अव्यय)
FormCorrelative particle (यावत्…तावत्-प्रयोगे), here ‘until/as long as’
nanot
na:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेध-अव्यय)
vimanāḥdispleased
vimanāḥ:
Karta (कर्ता) (predicate adjective to guruḥ)
TypeAdjective
Rootvimanā (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); adjective meaning ‘displeased’
guruḥthe teacher
guruḥ:
Karta (कर्ता)
TypeNoun
Rootguru (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)

Unspecified (narrative instruction within Svarga-khaṇḍa; traditional dialogue context often framed by Pulastya instructing Bhīṣma in the Padma Purāṇa)

Concept: Śāstra is received through proper time, posture, and restraint; avoid distracting habits and study so the guru’s mind remains pleased (prasanna).

Application: Keep the learning space distraction-free; avoid fidgeting, cracking knuckles, or casual gestures; follow a consistent study schedule; prioritize the teacher’s comfort and clarity.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A disciple sits poised, resisting the urge to fidget, hands resting calmly on knees while the guru recites measured syllables. The air feels charged with quiet concentration; the guru’s slight frown at a small distraction becomes a warning that learning depends on harmony of minds.","primary_figures":["Guru (ācārya)","Disciple (śiṣya)"],"setting":"Gurukula veranda with a low desk, ink pot, palm-leaf bundles, and a small bell; a shaded courtyard beyond.","lighting_mood":"forest dappled","color_palette":["sage green","ochre","smoke gray","vermillion","copper brown"],"tanjore_prompt":"Tanjore painting style: guru with gold-leaf halo seated on ornate āsana, disciple in disciplined stillness, hands calm (no limb-cracking), manuscripts and stylus displayed; rich vermillion and emerald tones, heavy jewelry minimal to keep ascetic mood, decorative arch framing the sanctified teaching space.","pahari_prompt":"Pahari miniature style: shaded veranda with dappled light, guru reciting, disciple attentive and motionless; delicate linework, soft textiles, muted mountain-like palette, a small tulasī pot at the edge as a Vaishnava hint.","kerala_mural_prompt":"Kerala mural style: stylized eyes and bold outlines—guru’s composed authority, disciple’s restrained posture; warm yellow-red background, green accents, lamp and manuscript motifs simplified into iconic forms.","pichwai_prompt":"Pichwai cloth painting style: central teaching scene framed by lotus creepers and peacock-feather borders; subtle Vaishnava shrine element (śālagrāma on pedestal), deep blue ground with gold highlights, emphasizing disciplined devotion."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["tanpura drone","soft hand bell at lesson start","rustle of leaves","distant birds","measured breathing"]}

Sandhi Resolution Notes: varjayet sannidhau → varjayetsannidhau; nityam aṅga- → nityamaṅga-; sphoṭanam eva → sphoṭanameva; yathā-kālam adhīyīta → yathākālamadhīyīta; yāvat na → yāvanna

G
Guru

FAQs

It advises avoiding casual, disrespectful bodily gestures like cracking one’s limbs (e.g., knuckles/joints) while near the teacher, emphasizing attentive decorum.

It instructs studying at the appropriate time and in a manner that keeps the guru pleased—highlighting punctuality, restraint, and receptivity as part of learning.

Learning is not only about content but also about character: humility, respect for the teacher, and self-control are treated as essential components of education.