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Shloka 6

Instruction to Śatrughna and the Mobilization for Rāma’s Aśvamedha

भवान्कनकसत्पत्न्या दीक्षितोऽत्र व्रतं चर । भूमिशायी ब्रह्मचारी वसुभोगविवर्जितः

bhavānkanakasatpatnyā dīkṣito'tra vrataṃ cara | bhūmiśāyī brahmacārī vasubhogavivarjitaḥ

भवान् कनकसत्पत्न्या अत्र दीक्षितः सन् व्रतं चर; भूमिशायी ब्रह्मचारी च भव, वसुभोगविवर्जितः।

भवान्you (honorific)
भवान्:
Karta (Subject/कर्ता)
TypeNoun
Rootभवत् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; आदरार्थे सर्वनाम
कनकसत्पत्न्याby/with (your) virtuous wife Kanakā
कनकसत्पत्न्या:
Karana (Instrument/करण)
TypeNoun
Rootकनक (प्रातिपदिक) + सत् (प्रातिपदिक) + पत्नी (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; 'कनक-सत्पत्नी' = 'golden/virtuous wife' (descriptive)
दीक्षितःinitiated, consecrated
दीक्षितः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootदीक्ष् (धातु) → दीक्षित (कृदन्त/क्त)
Formक्त-प्रत्ययान्त (past passive participle), पुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; भवान् इति विशेषणम्
अत्रhere
अत्र:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootअत्र (अव्यय)
Formअव्यय; स्थानवाचक क्रियाविशेषण (locative adverb)
व्रतम्vow, observance
व्रतम्:
Karma (Object/कर्म)
TypeNoun
Rootव्रत (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
चरpractice, observe
चर:
Kriya (Action/क्रिया)
TypeVerb
Rootचर् (धातु)
Formलोट् (Imperative), मध्यमपुरुष (2nd), एकवचन; परस्मैपदम्
भूमिशायीsleeping on the ground
भूमिशायी:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootभूमि (प्रातिपदिक) + शायिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; भवान् इति विशेषणम्; उपपद-तत्पुरुषः: 'भूमौ शायी'
ब्रह्मचारीcelibate student, practicing brahmacarya
ब्रह्मचारी:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootब्रह्म (प्रातिपदिक) + चारिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; भवान् इति विशेषणम्; उपपद-तत्पुरुषः: 'ब्रह्मणि/ब्रह्मचर्ये चारिन्'
वसुभोगविवर्जितःdevoid of enjoyment of wealth
वसुभोगविवर्जितः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवसु (प्रातिपदिक) + भोग (प्रातिपदिक) + वि-वर्जित (कृदन्त/क्त)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; भवान् इति विशेषणम्; तत्पुरुषः: 'वसु-भोगैः विवर्जितः' (deprived of wealth-enjoyments)

Unspecified (contextual speaker not provided in the input excerpt)

Concept: Dīkṣā requires bodily and mental restraint—ground-sleeping, brahmacarya, and renunciation of luxuries—to concentrate merit and sanctify the rite.

Application: Adopt periodic austerities (reduced comforts, celibacy/sexual restraint, simplicity) during spiritual commitments; let close relationships support discipline rather than indulgence.

Primary Rasa: shanta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"Within a quiet corner of the sacrificial grounds, the initiated king sits on a simple darbha mat, having set aside ornaments and luxuries. Kanakā, dignified and virtuous, stands as the initiator-support, while attendants remove soft bedding and rich garments, leaving a scene of deliberate simplicity and focused tapas.","primary_figures":["Rāmacandra (as dīkṣita)","Kanakā (virtuous wife)","attendants","Vedic priest (optional)"],"setting":"Austerity pavilion near the yajña-śālā: bare earth floor, darbha mats, water pot, staff, minimal utensils; distant altar fires visible.","lighting_mood":"forest dappled","color_palette":["matte brown","darbha green","smoke gray","saffron","indigo"],"tanjore_prompt":"Tanjore painting style: Dīkṣā scene with the initiated king seated on a simple mat, Kanakā beside him in regal yet restrained attire, gold leaf used sparingly to contrast renunciation with royalty, rich but controlled reds/greens, sacred vessels and subtle altar flames in the background, traditional iconographic poise.","pahari_prompt":"Pahari miniature style: Quiet ascetic vignette—king on earth-bed, minimal objects, Kanakā offering a water pot and blessing gesture, delicate brushwork, soft greens and browns, gentle light filtering through trees, refined emotional restraint.","kerala_mural_prompt":"Kerala mural style: Bold outlines emphasizing disciplined posture, Kanakā and the dīkṣita rendered with temple-wall gravitas, limited ornamentation, red-yellow-green palette with earthy grounding, stylized darbha and ritual vessels.","pichwai_prompt":"Pichwai cloth painting style: Austerity-themed composition framed by lotus borders, the dīkṣita centered on a simple mat, symbolic motifs (conch, chakra) subtly woven into patterns to indicate Viṣṇu-offering, deep indigo ground with restrained gold accents."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["silence","soft wind","distant fire crackle","occasional bell","low mantra hum"]}

Sandhi Resolution Notes: भवान्कनकसत्पत्न्या = भवान् + कनकसत्पत्न्या; दीक्षितोऽत्र = दीक्षितः + अत्र.

K
Kanakā

FAQs

It describes an austerity-focused vow involving initiation (dīkṣā), sleeping on the ground, celibacy (brahmacarya), and abstaining from luxuries and wealth-enjoyment.

They symbolize restraint and simplicity—reducing sensory indulgence so the practitioner can focus on discipline, purity, and spiritual intent behind the vow.

Ethical strength is cultivated through self-control: renouncing comforts and regulating conduct supports steadiness in dharma and sincerity in religious observance.