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Shloka 29

Omens and Consolation after Loss; Reaffirmation of the Saindhava Punishment Vow (उत्पात-दर्शनम्, आश्वासन-वाक्यानि, प्रतिज्ञा-स्थैर्यम्)

मृत्यो किमिदमत्यन्तं तपांसि चरसीति ह । ततोअब्रवीत्‌ पुनर्मुत्युर्भगवन्तं पितामहम्‌,“मृत्यो! तू किसलिये इस प्रकार अत्यन्त कठोर तपस्या कर रही है?” तब मृत्युने भगवान्‌ पितामहसे फिर इस प्रकार कहा--

mṛtyo kim idam atyantaṃ tapāṃsi carasīti ha | tato 'bravīt punar mṛtyur bhagavantaṃ pitāmaham ||

मृत्यो किमिदमत्यन्तं तपांसि चरसीति ह । ततोऽब्रवीत् पुनर्मृत्युर्भगवन्तं पितामहम् ॥

मृत्योO Death
मृत्यो:
TypeNoun
Rootमृत्यु
FormMasculine, Vocative, Singular
किम्what?
किम्:
Karma
TypePronoun
Rootकिम्
FormNeuter, Nominative/Accusative, Singular
इदम्this
इदम्:
Karma
TypePronoun
Rootइदम्
FormNeuter, Nominative/Accusative, Singular
अत्यन्तम्excessively, extremely
अत्यन्तम्:
TypeIndeclinable
Rootअत्यन्त
तपांसिausterities, penances
तपांसि:
Karma
TypeNoun
Rootतपस्
FormNeuter, Accusative, Plural
चरसिyou practice, you perform
चरसि:
TypeVerb
Rootचर्
FormPresent, Second, Singular, Parasmaipada
इतिthus (quotative)
इति:
TypeIndeclinable
Rootइति
indeed (emphatic particle)
:
TypeIndeclinable
Root
ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः
अब्रवीत्said, spoke
अब्रवीत्:
TypeVerb
Rootब्रू
FormImperfect, Third, Singular, Parasmaipada
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः
मृत्युःDeath
मृत्युः:
Karta
TypeNoun
Rootमृत्यु
FormMasculine, Nominative, Singular
भगवन्तम्the venerable, the blessed (one)
भगवन्तम्:
Karma
TypeAdjective
Rootभगवत्
FormMasculine, Accusative, Singular
पितामहम्the Grandsire (Brahmā)
पितामहम्:
Karma
TypeNoun
Rootपितामह
FormMasculine, Accusative, Singular

नारद उवाच

N
Nārada
M
Mṛtyu (Death)
P
Pitāmaha (Brahmā)

Educational Q&A

The verse frames an ethical question about the role of Death within dharma: even forces of punishment and dissolution are expected to act with purpose and restraint, and their actions (like severe tapas) invite scrutiny regarding their alignment with cosmic order.

Nārada questions why the personified Death is performing extremely harsh austerities. The scene then shifts as Death turns again to address Pitāmaha (Brahmā), indicating an ongoing dialogue about Death’s function and intentions.