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Shloka 27

Sātyaki-praveśaḥ and Duryodhana-saṃnipātaḥ

Sātyaki’s passage and Duryodhana’s mass engagement

अवैक्षन्ताचलैनेंत्रै: परिवार्य नरर्षभौ । रथी, महावत, घुड़सवार और पैदल सभी उन दोनों नरश्रेष्ठ वीरोंको घेरकर उन्हें एकटक नेत्रोंसे निहारने लगे ।। हस्त्यनीकान्यतिष्ठन्त तथानीकानि वाजिनाम्‌

sañjaya uvāca | avaikṣantācalair netraiḥ parivārya nararṣabhau | rathino mātaṅgāś ca vājinaś ca padātayaḥ sarve tāv ubhau narottamau vīkṣitum ekāgram abhyatiṣṭhan | hastyanīkāny atiṣṭhanta tathā anīkāni vājīnām ||

अवैक्षन्ताचलैर्नेत्रैः परिवार्य नरर्षभौ । रथिनो महावताः शूरा अश्वारोहाः पदातयः । सर्वे तौ नरशार्दूलौ एकाग्रैर्नेत्रैर्न्यवीक्षन्त । हस्त्यनीकान्यतिष्ठन्त तथैवानीकानि वाजिनाम् ॥

अवैक्षन्तthey looked at, beheld
अवैक्षन्त:
Karta
TypeVerb
Rootअव-ईक्ष्
FormImperfect (Lan), 3rd, Plural, Parasmaipada
अचलैःwith unmoving
अचलैः:
Karana
TypeAdjective
Rootअचल
FormMasculine/Neuter, Instrumental, Plural
नेत्रैःwith eyes
नेत्रैः:
Karana
TypeNoun
Rootनेत्र
FormNeuter, Instrumental, Plural
परिवार्यhaving surrounded
परिवार्य:
TypeVerb
Rootपरि-√वृ (वृणोति/वर्तते) → परिवारयति
FormAbsolutive (Gerund), ल्यप्
नरर्षभौthe two best of men
नरर्षभौ:
Karma
TypeNoun
Rootनरर्षभ
FormMasculine, Accusative, Dual
हस्त्यनीकानिelephant-divisions (elephant troops)
हस्त्यनीकानि:
Karta
TypeNoun
Rootहस्त्यनीक
FormNeuter, Nominative, Plural
अतिष्ठन्तstood, remained stationed
अतिष्ठन्त:
TypeVerb
Rootस्था
FormImperfect (Lan), 3rd, Plural, Parasmaipada
तथाlikewise, so also
तथा:
TypeIndeclinable
Rootतथा
अनीकानिdivisions, troops
अनीकानि:
Karta
TypeNoun
Rootअनीक
FormNeuter, Nominative, Plural
वाजिनाम्of the horsemen / of the horses
वाजिनाम्:
TypeNoun
Rootवाजिन्
FormMasculine, Genitive, Plural

संजय उवाच

S
Sañjaya
T
two foremost heroes (unnamed in this verse)
C
chariot-warriors
E
elephant-corps
C
cavalry
I
infantry

Educational Q&A

The verse highlights disciplined attention and collective restraint in war: even amid violence, armies can hold formation and observe a decisive encounter, implying that order (niyama) and command structure govern action, not mere impulse.

Sañjaya describes a moment when all four arms of the army—chariots, elephants, cavalry, and infantry—encircle two outstanding warriors and watch them intently, while the elephant and cavalry divisions remain stationed in their arrays.