रक्तकल्पे वामदेवदर्शनं चतुर्कुमारोत्पत्तिः
दृष्टः परमया भक्त्या स्तुतश् च ब्रह्मपूर्वकम् तस्माद्ध्यानबलं प्राप्य कल्पे कल्पे प्रयत्नतः
dṛṣṭaḥ paramayā bhaktyā stutaś ca brahmapūrvakam tasmāddhyānabalaṃ prāpya kalpe kalpe prayatnataḥ
दृष्टः परमया भक्त्या स्तुतश्च ब्रह्मपूर्वकम्। तस्माद्ध्यानबलं प्राप्य कल्पे कल्पे प्रयत्नतः॥
Suta Goswami (narrating the Purana; describing Brahma-led praise and the discipline of dhyana)
It links Linga-darśana and Brahmā-led stuti to the attainment of dhyāna-bala, presenting worship not as a one-time act but as sustained sādhana repeated kalpa after kalpa.
Shiva is implied as the Pati who becomes directly ‘seen’ through supreme bhakti and is approached through disciplined meditation, indicating a transcendent Lord accessible by grace-filled devotion and yogic steadiness.
Brahma-pūrvaka stuti (Vedic-style hymn led by Brahmā) and dhyāna (meditative absorption) are emphasized as the core practices that generate dhyāna-bala in a Pāśupata-oriented path.