मदनदाहः — पार्वतीतपः, स्वयंवरलीला, देवस्तम्भनं, दिव्यचक्षुर्दानम्
हिताय चाश्रमाणां च क्रीडार्थं भगवान्भवः तदा हैमवतीं देवीम् उपयेमे यथाविधि
hitāya cāśramāṇāṃ ca krīḍārthaṃ bhagavānbhavaḥ tadā haimavatīṃ devīm upayeme yathāvidhi
आश्रमाणां हितायैव क्रीडार्थं च भगवान् भवः। तदा हैमवतीं देवीं यथाविध्युपयेमे सः॥
Suta Goswami (narrating the Purāṇic account to the sages; internal scene describes Śiva’s act)
It frames Śiva’s actions as both loka-hita (welfare of the dharmic order) and līlā (divine play), a key lens for Linga-pūjā: worship recognizes the Pati as the compassionate regulator of dharma who manifests for the uplift of beings.
Śiva is presented as Bhagavān Bhava—sovereign and self-sufficient—yet freely engaging in worldly forms “according to rite,” showing that the transcendent Pati can also operate within dharma to guide pashus toward liberation.
The phrase yathā-vidhi highlights adherence to prescribed vidhi (ritual order). In Shaiva practice this supports disciplined sādhanā—outer correctness in pūjā and inner steadiness in yoga—both preparing the pashu to loosen pāśa (bondage).