Śakaṭa-bhañjana, Naming by Garga, Dāmodara and Yamala-arjuna, and the Move to Vṛndāvana
वत्सपालौ च संवृत्तौ रामदामोदरौ ततः एकस्थानस्थितौ गोष्ठे चेरतुर् बाललीलया
vatsapālau ca saṃvṛttau rāmadāmodarau tataḥ ekasthānasthitau goṣṭhe ceratur bālalīlayā
Затем Рама и Дамодара стали пасти телят; в селении пастухов, оставаясь вместе в одном месте, они бродили в детской лиле.
Sage Parāśara (narrating) to Maitreya
It shows the avatāra’s deliberate concealment of supreme power within everyday pastoral duties, making the divine approachable and grounding bhakti in ordinary life.
Parāśara narrates their movements as simple childhood play in the cowherd settlement, a storytelling mode that treats līlā as both narrative sweetness and purposeful divine action.
Krishna (Dāmodara) is Vishnu’s supreme reality appearing in an intimate form—his sovereignty is not diminished by simplicity, but revealed through compassionate nearness to devotees.