दोलासंस्थं च ये कृष्णं पश्यंति मधुमाधवे । तेषां पुत्राश्च पौत्राश्च मातामहपितामहाः
dolāsaṃsthaṃ ca ye kṛṣṇaṃ paśyaṃti madhumādhave | teṣāṃ putrāśca pautrāśca mātāmahapitāmahāḥ
Те, кто созерцают Шри Кришну — Мадхусудану и Мадхаву — восседающего на доле (качелях), обретают благословение для всего рода: сыновей и внуков, и даже деда по матери и деда по отцу возвышает эта заслуга.
Sūta (Lomaharṣaṇa) speaking to the sages (contextual attribution within Prabhāsa Khaṇḍa narrative style)
Tirtha: Dvāravatī (Dvārakā)
Type: kshetra
Scene: Kṛṣṇa seated on a decorated swing (dolā) within a temple pavilion, garlands and lamps swaying; devotees gaze in rapture. Behind them, a subtle ancestral line motif (faded figures) indicates uplift of forebears and descendants.
Darśana (reverent seeing) of Bhagavān in a sacred setting is portrayed as lineage-uplifting merit, extending beyond the individual to family and ancestors.
Dvārakā, within the Prabhāsa Khaṇḍa’s Dvārakā Māhātmya, highlighting the sanctity of beholding Kṛṣṇa there.
No explicit dāna/snān/japa is prescribed in this verse; the act emphasized is dolā-darśana—seeing Kṛṣṇa seated on the swing—as a meritorious devotional observance.