Adhyaya 71: पुरत्रयवृत्तान्तः—ब्रह्मवरदानम्, मयकृतत्रिपुर-निर्माणम्, विष्णुमाया-धर्मविघ्नः, शिवस्तुति, त्रिपुरदाहोपक्रमः
ततः स नन्दी सह षण्मुखेन तथा च सार्धं गिरिराजपुत्र्या विवेश दिव्यं भवनं भवो ऽपि यथाम्बुदो ऽन्याम्बुदम् अम्बुदाभः
tataḥ sa nandī saha ṣaṇmukhena tathā ca sārdhaṃ girirājaputryā viveśa divyaṃ bhavanaṃ bhavo 'pi yathāmbudo 'nyāmbudam ambudābhaḥ
Затем Нанди вместе с Шанмукхой (Скандой) и в сопровождении дочери Владыки гор (Парвати) вошёл в тот божественный чертог. И Бхава (Шива), облачно-синий, вошёл туда же — как дождевое облако сливается с другим облаком.
Suta Goswami (narrating to the sages of Naimisharanya)
It frames Śiva’s abode as the living spiritual center of worship: approaching the divine presence through Nandī (gateway of devotion) and Śiva-Śakti togetherness, which is foundational to Linga-bhakti and temple-darśana.
Śiva is presented as Bhava—Pati, the sovereign Lord—whose presence is all-pervading and seamless, likened to a cloud merging into cloud, suggesting non-obstructed, sovereign being beyond fragmentation.
The verse implies śaraṇāgati (taking refuge) through Nandī and gaṇa-association, a devotional doorway aligned with Pāśupata orientation—turning the pashu toward Pati by reverent approach and sacred proximity (darśana).