वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)
वैणवी पणवी कालः कालकण्ठः कटंकटः नक्षत्रविग्रहो भावो निभावः सर्वतोमुखः
vaiṇavī paṇavī kālaḥ kālakaṇṭhaḥ kaṭaṃkaṭaḥ nakṣatravigraho bhāvo nibhāvaḥ sarvatomukhaḥ
Он — Вайнавӣ и Панавӣ, внутренняя сила священного звука и ритма; Он — само Время и Тот, чьё горло есть Время. Он — неодолимый, внушающий трепет Владыка. Его образ — воплощение созвездий; Он — Бхава (Бытие) и Нибхава (основание становления); и Он — Вселикый, взирающий и пронизывающий все стороны света.
Suta Goswami (narrating Shiva-names to the sages of Naimisharanya)
It frames the Liṅga as the sign of the all-pervading Pati: Shiva is Time, cosmic order (nakṣatras), and sacred sound—so Liṅga-pūjā is worship of the very principle that regulates, pervades, and liberates the pashu from pasha.
Shiva-tattva is presented as both transcendent and immanent: He is bhāva (manifest being) and nibhāva (the ground of manifestation), sarvatomukha (omnivision), and kāla (the inner governor of change), establishing Him as Pati beyond and within all states.
Nada-upāsanā and mantra-oriented Pāśupata discipline are implied: tuning awareness to sacred sound (vīṇā/paṇava symbolism) and meditating on Shiva as Kāla to cut the pasha of time-bound identification.