Adhyaya 17: लिङ्गोद्भव—ब्रह्मविष्ण्वहङ्कार-शमनं, ओंकार-प्रादुर्भावः, मन्त्र-तत्त्वं च
एवमोमोमिति प्रोक्तम् इत्याहुर्यजुषां वराः यजुषां वचनं श्रुत्वा ऋचः सामानि सादरम्
evamomomiti proktam ityāhuryajuṣāṃ varāḥ yajuṣāṃ vacanaṃ śrutvā ṛcaḥ sāmāni sādaram
«Так было провозглашено: “Ом, Ом”», — сказали лучшие среди певцов Яджуса. Услышав изречение Яджуса, гимны Риг и песнопения Самана откликнулись с благоговейным согласием, сливаясь в священной хвале Верховному Пати — Шиве.
Suta Goswami (narrating the Vedic acclamation around the Linga’s manifestation)
It shows that at the Linga’s manifestation, Vedic currents converge on the Praṇava—‘Om’—indicating that Linga-pūjā is rooted in Vedic reverence and culminates in one supreme object of worship: Śiva as Pati.
By portraying Ṛk and Sāman harmonizing after the Yajus’ proclamation of Om, the verse points to Shiva-tattva as the unifying ground of all Vedic sound—beyond sectarian division—where mantra resolves into the Supreme Lord, Pati.
Praṇava-japa and Vedic recitation in coordinated worship: the repeated ‘Om’ functions as a mantra-key that aligns speech and mind toward Śiva, supporting inner Pāśupata orientation (turning the pashu toward Pati through mantra).