Agni Purana — Avatara-lila, Shloka 4
Śrīrāmāvatāra-varṇanam
Description of the Incarnation of Śrī Rāma
रावणादेर्बधार्थाय चतुर्धाभूत् स्वयं हरिः राज्ञो दशरथाद्रामः कौशल्यायां बभूव ह
rāvaṇāderbadhārthāya caturdhābhūt svayaṃ hariḥ rājño daśarathādrāmaḥ kauśalyāyāṃ babhūva ha
Чтобы поразить Равану и прочих, сам Хари (Вишну) явился в четырёх обликах; и у царя Дашаратхи родился Рама от Каушальи.
Lord Agni (narrating puranic history to Vasiṣṭha)
Vidya Category: {"primary_vidya":"Avatara-Katha","secondary_vidya":"Dharmashastra","practical_application":"Rama-avatara as a dharmic exemplar: framing righteous kingship and the ethical necessity of confronting adharmic forces.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Rama-avatara as Hari’s fourfold manifestation","lookup_keywords":["Rama-janma","Dasharatha","Kaushalya","caturdha Hari","Ravana-vadha"],"quick_summary":"The verse states the avatara-purpose (Ravana’s destruction) and the fourfold manifestation culminating in Rama’s birth from Dasharatha and Kaushalya, grounding the Ramayana synopsis in divine intent."}
Alamkara Type: Hetu (causal statement of purpose)
Concept: Divine descent occurs for loka-samgraha—restoring dharma by removing adharmic rulers.
Application: Use the avatara motif to justify ethical resistance to oppression while maintaining righteous conduct.
Khanda Section: Avataras (Rama-avatara narrative within Itihasa-Purana synopsis)
Primary Rasa: Vira
Secondary Rasa: Adbhuta
Type: Kingdom
Visual Art Cues: {"scene_description":"Divine Hari manifests fourfold; in Ayodhya palace, Queen Kaushalya gives birth to Rama while Dasharatha and attendants rejoice; subtle cosmic aura indicating avatara-purpose against Ravana.","kerala_mural_prompt":"Kerala temple mural style, flat yet vibrant colors, Rama’s birth scene in Ayodhya palace, Dasharatha seated, Kaushalya on royal bed, divine aura of Vishnu above indicating fourfold manifestation, ornate jewelry, lotus motifs, traditional mural borders","tanjore_prompt":"Tanjore painting, Rama’s birth with gold-leaf highlights on crowns and ornaments, Dasharatha and Kaushalya richly adorned, haloed infant Rama, stylized palace arch, deep reds and greens, embossed gold work","mysore_prompt":"Mysore painting style, delicate linework, soft shading, narrative panel of Hari becoming fourfold and Rama’s birth, inscriptions in Devanagari, restrained palette with gold accents","mughal_miniature_prompt":"Mughal miniature, detailed Ayodhya court interior, attendants and musicians, Kaushalya with infant Rama, Dasharatha in jeweled attire, fine architectural perspective, subdued yet rich pigments"}
Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Bhairav","pace":"medium","voice_tone":"epic"}
Sandhi Resolution Notes: रावणादेर्बधार्थाय → रावण-आदेः + बध-अर्थाय; चतुर्धाभूत् → चतुर्धा + अभूत्; दशरथाद्रामः → दशरथात् + रामः.
Related Themes: Agni Purana Itihasa-sangraha sections on Ramayana; Agni Purana avatara-nirupana passages on Vishnu’s descents
FAQs
This verse primarily imparts avatāra-tattva (doctrine of divine incarnation): Viṣṇu (Hari) manifests in a fourfold form to remove a specific adharma-causing threat (Rāvaṇa and allies).
It situates the Agni Purana’s wide-ranging instruction within a puranic-itihasa framework by summarizing key Ramayana theology (purpose of incarnation, royal lineage, and birth narrative) alongside the text’s many other disciplines.
It emphasizes that divine manifestation occurs for loka-saṃgraha—restoring dharma by removing destructive forces—encouraging devotion (bhakti) and trust in dharmic order.