Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
चूतादीनि सुगन्धीनि स्वादूनि विविधानि च हरप्रसादाज्जातानि भोज्यान्यपि सुरोत्तमैः
cūtādīni sugandhīni svādūni vividhāni ca haraprasādājjātāni bhojyānyapi surottamaiḥ
Mangas e outros frutos, perfumados, doces e variados, vieram a existir pela graça de Hara; são alimentos dignos de serem desfrutados até pelos mais excelsos deuses.
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The verse frames worldly pleasures (taste and fragrance) as ultimately dependent on divine dispensation: even what the gods enjoy is traced back to Hara’s prasāda, encouraging gratitude and reverence rather than possessiveness.
It functions as an element of sarga/pratisarga-style description (cosmic/phenomenal origination) embedded within a deity-legend; secondarily it supports an upākhyāna within vaṃśānucarita/charita-style narration of divine acts.
Fragrant, sweet fruits symbolize refined sense-objects (viṣaya). By attributing them to Hara’s grace, the text subordinates sensory delight to ascetic-divine authority, aligning enjoyment with dharma rather than mere kāma.