Shloka 67
The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī
Gaṅgā
अतिप्रहर्षात्तु जगत्त्रयस्य मोहश्च दुःखानि च नाशमीयुः । जगो च गन्धर्वगणोतिमात्रं भावस्वरैर्भर्तृविमिश्रिताश्च
atipraharṣāttu jagattrayasya mohaśca duḥkhāni ca nāśamīyuḥ | jago ca gandharvagaṇotimātraṃ bhāvasvarairbhartṛvimiśritāśca
Mas, por um júbilo imenso, a ilusão e as dores dos três mundos chegaram ao fim; e ergueu-se grande alvoroço—apenas as hostes de Gandharvas—com notas expressivas, mescladas a seus líderes.
Unspecified narrator (contextual prose/epic narration within Sṛṣṭikhaṇḍa)
Concept: Contact with the Lord’s presence (or remembrance) dispels delusion and sorrow; divine joy is not mere pleasure but a corrective to moha.
Application: Use nāma-saṅkīrtana and śravaṇa to counter anxiety and confusion; treat devotional music as medicine for moha.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A wave of bliss sweeps across the three worlds as if a veil has been lifted—shadows of delusion dissolve into clear light. In Svarga, Gandharva hosts erupt into layered song, their leader conducting a vast chorus while the air itself seems to vibrate with healing sound.","primary_figures":["Gandharvas (with a leader)","Devas","Subtle presence of Janārdana as radiant source"],"setting":"Celestial amphitheater with cloud-arches, jeweled pillars, and floating garlands; distant vistas hinting at the three worlds","lighting_mood":"golden dawn","color_palette":["aurora gold","pearl white","amethyst purple","turquoise","rose pink"],"tanjore_prompt":"Tanjore painting style: grand Gandharva chorus in Svarga, leader with raised hand, veenas and flutes, concentric waves of sound depicted as gold leaf patterns, radiant source-light of Janārdana behind, rich reds/greens, heavy jewelry, embossed halos and ornamental borders.","pahari_prompt":"Pahari miniature style: elegant Gandharvas seated on cloud-terraces, delicate instruments, translucent sound-waves painted as fine lines, soft gradients of dawn, refined expressions of rapture, distant miniature vignettes of the three worlds brightening.","kerala_mural_prompt":"Kerala mural style: rhythmic rows of Gandharvas with veena and flute, bold outlines, stylized sound motifs, warm yellow-red background, central luminous aura suggesting Janārdana, temple-wall symmetry.","pichwai_prompt":"Pichwai cloth painting style: devotional music scene with lotus borders, deep blue ground, gold sound-scrollwork, Gandharvas arranged like a mandala around a central radiant Vishnu-symbol, intricate floral filigree and patterned textiles."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["veena","flute","tanpura drone","celestial choir","soft bells"]}
Sandhi Resolution Notes: अतिप्रहर्षात्तु = अतिप्रहर्षात् + तु; जगत्त्रयस्य = जगत् + त्रयस्य (द्विगु); मोहश्च = मोहः + च; नाशमीयुः = नाशम् + ईयुः; जगो = जगुः (लिट्); गन्धर्वगणोतिमात्रं = गन्धर्व-गण-अति-मात्रम्; भावस्वरैर्भर्तृविमिश्रिताश्च = भावस्वरैः + भर्तृविमिश्रिताः + च.
FAQs
It depicts a surge of cosmic joy so intense that delusion and suffering subside across the three worlds, accompanied by celebratory Gandharva music and commotion.
Gandharvas are celestial musicians; here they represent a divine chorus whose emotive singing and musical tones mark an auspicious, celebratory moment in the narrative.
It suggests that when harmony and auspiciousness prevail, states like confusion and grief diminish—symbolically pointing to how elevated joy (prasāda/ānanda) can dissolve inner suffering.