The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
बटुकेभास्वरूपा च दुर्गा क्षेत्रेशरूपिणी । कामराजस्वरूपा च तथा मन्मथरूपिणी ॥ ७७ ॥
baṭukebhāsvarūpā ca durgā kṣetreśarūpiṇī | kāmarājasvarūpā ca tathā manmatharūpiṇī || 77 ||
Ela é a própria forma de Bhairava (Baṭukebha); ela é Durgā, manifestando-se como o Senhor que preside o campo sagrado. Ela é também a forma de Kāmarāja e, do mesmo modo, a forma de Manmatha, o deus do amor.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It teaches the non-dual principle of devatā-svarūpa: the Goddess is understood as manifesting in multiple divine roles—protector (Durgā), guardian of the sacred site (Kṣetreśa), and the power behind attraction and devotion (Kāmarāja/Manmatha).
By presenting one Divine Power appearing through many names and functions, it supports focused worship (iṣṭa-devatā bhakti) while affirming unity—devotees may worship Durgā or the kṣetra-devatā with the understanding that the same Shakti responds.
It reflects kṣetra-viniyoga (application of deity-identification to place and ritual): knowing the presiding deity of a sacred site guides mantra-selection, nyāsa/protective rites, and proper worship procedure—an applied, technical aspect of Purāṇic ritual science.