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Narada Purana — Purva Bhaga, Shloka 13

The Account of the Lalitā Hymn, the Protective Armor

Kavaca), and the Thousand Names (Sahasranāma

यदक्षरशशिज्योत्स्नामंडितं भुवनत्रयम् । वन्दे सर्वेश्वरीं देवीं महाश्रीसिद्धमातृकाम् ॥ १३ ॥

yadakṣaraśaśijyotsnāmaṃḍitaṃ bhuvanatrayam | vande sarveśvarīṃ devīṃ mahāśrīsiddhamātṛkām || 13 ||

Eu me prostro diante da Deusa, Soberana de tudo—Mahāśrī, a Mãe perfeita das letras sagradas—por cujas sílabas os três mundos são ornados como pelo luar.

yatthat which
yat:
Karta (कर्ता)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative (प्रथमा), Singular (एकवचन); relative pronoun used correlatively with implied tat
akṣara-śaśi-jyotsnā-maṇḍitamadorned with the moonlight of imperishable syllables
akṣara-śaśi-jyotsnā-maṇḍitam:
Karta (कर्ता)
TypeAdjective
Rootmaṇḍita (कृदन्त-प्रातिपदिक; √maṇḍ (मण्ड्) + क्त) with akṣara + śaśi + jyotsnā (प्रातिपदिक)
FormNeuter, Nominative, Singular; past passive participle (क्त) used adjectivally; compound: akṣara-śaśi-jyotsnā (determinative) qualifying maṇḍitam
bhuvana-trayamthe three worlds
bhuvana-trayam:
Karta (कर्ता)
TypeNoun
Rootbhuvana (प्रातिपदिक) + traya (प्रातिपदिक)
FormNeuter, Nominative, Singular; dvigu compound meaning a set of three
vandeI worship / I bow to
vande:
Kriyā (क्रिया)
TypeVerb
Root√vand (वन्द्)
FormPresent tense (लट्), 1st person (उत्तमपुरुष), Singular (एकवचन), Parasmaipada (परस्मैपद)
sarva-īśvarīmthe all-sovereign (Goddess)
sarva-īśvarīm:
Karma (कर्म)
TypeNoun
Rootsarva (प्रातिपदिक) + īśvarī (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Accusative (द्वितीया), Singular; karmadhāraya: ‘the all-(supreme) goddess’
devīmthe goddess
devīm:
Karma (कर्म)
TypeNoun
Rootdevī (प्रातिपदिक)
FormFeminine, Accusative, Singular; apposition to sarveśvarīm
mahā-śrī-siddha-mātṛkāmMahāśrī-Siddhamātṛkā (the great auspicious perfected Mother of letters)
mahā-śrī-siddha-mātṛkām:
Karma (कर्म)
TypeNoun
Rootmahā (प्रातिपदिक) + śrī (प्रातिपदिक) + siddha (प्रातिपदिक) + mātṛkā (प्रातिपदिक)
FormFeminine, Accusative, Singular; multi-member tatpuruṣa title/name

Narada (hymnic invocation within a Vedanga/śabda-focused context)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

D
Devi
S
Sarveshvari
M
Mahashri
M
Matrika

FAQs

It venerates the Goddess as Mātṛkā—the divine source of sacred syllables—teaching that sound (akṣara) is not merely linguistic but a cosmic power that illumines and orders the three worlds.

Bhakti is expressed as reverent surrender (vande) to the Sarveśvarī, recognizing the Divine as present in mantra and sacred speech; devotion here is practiced through praise, remembrance, and honoring the source of all auspicious power (Mahāśrī).

It points to the sanctity of akṣara (phoneme/syllable), aligning with Śikṣā (phonetics) and Vyākaraṇa (grammar): correct understanding and use of syllables/mantras is treated as spiritually efficacious and world-sustaining.