The Description of the Four Durgā Mantras
प्राङ्मध्ययोन्यंतराले पूजयेत्कल्पयेत्ततः । पंचभिः प्रणवैर्मूर्तिं तस्यामावाह्य देवताम् ॥ ६८ ॥
prāṅmadhyayonyaṃtarāle pūjayetkalpayettataḥ | paṃcabhiḥ praṇavairmūrtiṃ tasyāmāvāhya devatām || 68 ||
Em seguida, deve-se adorar no espaço entre a divisão oriental e a central, e então ordenar o rito. Com o quíntuplo Oṁ (praṇava), forme-se a imagem da deidade e invoque-se (āvāhana) a deidade nessa forma.
Narada (teaching in a technical/ritual context, traditionally within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that worship is not merely external: the deity is consciously invoked (āvāhana) into a prepared form, aligning space, form (mūrti), and mantra (praṇava) into a focused act of devotion.
Bhakti here is expressed as attentive upāsanā—carefully preparing the worship-space and invoking the divine presence with praṇava-mantras, treating the deity as truly present and worthy of honor.
Ritual technicalities are highlighted—directional/space arrangement and mantra-application (praṇava usage) for āvāhana and forming the mūrti—reflecting applied śikṣā/mantra-prayoga and kalpa-style procedure.