Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
संमोहनी च बाणानां देवताः पञ्च कीर्तिताः । तार्तीयवाग्मध्यगेन कामेन स्यात्षडंगकम् ॥ १५ ॥
saṃmohanī ca bāṇānāṃ devatāḥ pañca kīrtitāḥ | tārtīyavāgmadhyagena kāmena syātṣaḍaṃgakam || 15 ||
Declaram-se cinco as divindades regentes das flechas (de Kāma)—entre elas Saṁmohanī, o poder do enlevo e da ilusão. E quando Kāma é colocado como aquele que “se move na fala do meio”, o terceiro nível da fala, este ensinamento torna-se de seis membros.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames desire (Kāma) as a structured force governed by specific presiding powers, and links it to the doctrine of vāk (speech) so that the teaching is understood as a complete, six-part technical system rather than mere emotion.
Indirectly, it warns that enchantment/delusion (Saṁmohanī) operates through subtle channels like speech and intention; a bhakta counters this by disciplining mind and speech and redirecting desire toward Viṣṇu-centered devotion.
Mantra-vidyā language theory: the idea of graded speech (tārtīya-vāk and ‘middle’ operation) used to classify and apply teachings systematically as a ṣaḍaṅga (six-limbed) framework.