Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
न्यस्तव्यं वदने मूलं भूपश्चैत्रांस्ततो न्यसेत् । कण्ठमूले स्तनद्वंद्वे वामांसे हृदयांबुजे ॥ १४ ॥
nyastavyaṃ vadane mūlaṃ bhūpaścaitrāṃstato nyaset | kaṇṭhamūle stanadvaṃdve vāmāṃse hṛdayāṃbuje || 14 ||
Deve-se colocar por nyāsa o Mūla (mantra-raiz) na boca; depois, colocar as letras/mantras que começam com “bhūpa” e “caitrā” na base da garganta, sobre o par de seios, no ombro esquerdo e no lótus do coração.
Narada (in instructional discourse on technical ritual procedure, transmitted in the Narada Purana’s Vedanga-focused section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—sacralizing the practitioner’s body as a seat of mantra by assigning the root mantra and its components to specific bodily loci (mouth, throat-base, chest, shoulder, and heart-lotus), aligning speech, breath, devotion, and inner awareness.
By directing the mantra into the heart-lotus and vital centers, the verse shows bhakti as embodied remembrance: devotion is not only recitation but an inward installation of the deity/mantra so worship becomes continuous from speech to heart.
Ritual-technical practice (prayoga) akin to Vedanga-style discipline: precise nyāsa sequencing and bodily “anga” mapping for mantra-japa/upāsanā, ensuring correct application of mantra in worship.