Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
तांबूलरससंमिश्रं तद्भस्मतिलकं चरेत् । चतुर्णामपि वर्णानां मोहनाय द्विजोत्तमः ॥ ६८ ॥
tāṃbūlarasasaṃmiśraṃ tadbhasmatilakaṃ caret | caturṇāmapi varṇānāṃ mohanāya dvijottamaḥ || 68 ||
Misturando-o com o sumo de tāmbūla (betel), aplique-se essa cinza como tilaka. O melhor entre os duas-vezes-nascidos (dvijottama) faz isso para atrair pessoas das quatro varṇa.
Narada (in instruction mode within a technical/ritual-prayoga context; traditionally framed as Narada teaching the Sanatkumara tradition)
Vrata: none
Primary Rasa: raudra
Secondary Rasa: adbhuta
The verse reflects a technical prayoga tradition where substances (here, bhasma and tāmbūla-rasa) are prescribed for a specific intended effect; it shows the Purana’s inclusion of applied ritual science alongside broader dharma and devotion.
This specific verse is primarily procedural rather than devotional; it does not teach bhakti directly, but it sits within the wider Narada Purana milieu where external marks and ritual acts are often framed as auxiliaries (aṅgas) that may accompany a religious life.
It highlights prayoga-style ritual know-how—selection and combination of materials (tāmbūla extract with bhasma) and the method of application as tilaka—typical of technical sections associated with applied dharma and ritual procedure.