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Narada Purana — Purva Bhaga, Shloka 31

The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma

नानाशिल्पकलाभिज्ञां कृष्णभोगानुरूपिणीम् । तत्सेवनसुखाह्लादभावेनातिसुनिर्वृताम् ॥ ३१ ॥

nānāśilpakalābhijñāṃ kṛṣṇabhogānurūpiṇīm | tatsevanasukhāhlādabhāvenātisunirvṛtām || 31 ||

Ela era versada em muitas artes e ofícios, perfeitamente adequada aos deleites de Śrī Kṛṣṇa; e estava supremamente satisfeita, com o coração transbordando de júbilo na felicidade de servi-Lo.

नाना-शिल्प-कला-अभिज्ञाम्skilled in various arts and crafts
नाना-शिल्प-कला-अभिज्ञाम्:
Karma (कर्म)
TypeAdjective
Rootनाना (अव्यय) + शिल्प (प्रातिपदिक) + कला (प्रातिपदिक) + अभिज्ञा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; Feminine, Accusative (2nd), Singular; समासः—तत्पुरुष (बहुषु शिल्पकलासु अभिज्ञा)
कृष्ण-भोग-अनुरूपिणीम्suited to Krishna’s enjoyment
कृष्ण-भोग-अनुरूपिणीम्:
Karma (कर्म)
TypeAdjective
Rootकृष्ण (प्रातिपदिक) + भोग (प्रातिपदिक) + अनुरूपिणी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; Feminine, Accusative (2nd), Singular; समासः—तत्पुरुष (कृष्णस्य भोगान् अनुरूपा)
तत्-सेवन-सुख-आह्लाद-भावेनby/with the feeling of blissful delight in serving Him
तत्-सेवन-सुख-आह्लाद-भावेन:
Karaṇa/Hetu (करण/हेतु)
TypeNoun
Rootतत् (सर्वनाम-प्रातिपदिक) + सेवन (प्रातिपदिक) + सुख (प्रातिपदिक) + आह्लाद (प्रातिपदिक) + भाव (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन; Masculine, Instrumental (3rd), Singular; समासः—तत्पुरुष (सम्बद्ध-निर्देश)
अति-सु-निर्वृताम्very well-satisfied/fully content
अति-सु-निर्वृताम्:
Karma (कर्म)
TypeAdjective
Rootअति (अव्यय) + सु (अव्यय) + निर्वृता (प्रातिपदिक; √वृत्/√वृ with निर्)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन; Feminine, Accusative (2nd), Singular; समासः—अव्ययीभाव (अति/सु + निर्वृता)

Narada (teaching in dialogue context within the Narada Purana)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shanta

K
Krishna

FAQs

It presents seva (loving service) as a complete spiritual fulfillment: true contentment arises from delighting in Krishna’s service rather than from self-centered pleasure.

Bhakti is shown as attentive, fitting service—offering one’s abilities and refined conduct in a mood of joyful dedication to Krishna.

While not naming a specific Vedanga, it implies the disciplined cultivation of kalā/śilpa (technical arts) and proper conduct—skills that support refined ritual culture and devotional service.