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Narada Purana — Purva Bhaga, Shloka 163

The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma

दंडांका मुकुटांका च पूर्णचन्द्रा शुकांकिता । कृष्णात्रहारपाका च वृन्दाकुंजविहारिणी ॥ १६३ ॥

daṃḍāṃkā mukuṭāṃkā ca pūrṇacandrā śukāṃkitā | kṛṣṇātrahārapākā ca vṛndākuṃjavihāriṇī || 163 ||

Ela traz o emblema do bastão e o emblema da coroa; é marcada pela lua cheia e pelo sinal do papagaio. Veste um manto escuro e usa um colar de estrelas, deleitando-se nos bosques-jardins de Vṛndā, em Vṛndāvana.

दंड-अंकाbearing the staff-mark
दंड-अंका:
Karta (कर्ता)
TypeAdjective
Rootदण्ड + अङ्क (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
मुकुट-अंकाbearing the crown-mark
मुकुट-अंका:
Karta (कर्ता)
TypeAdjective
Rootमुकुट + अङ्क (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
पूर्णचन्द्राlike the full moon
पूर्णचन्द्रा:
Karta (कर्ता)
TypeAdjective
Rootपूर्ण + चन्द्र (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; कर्मधारय-समास (पूर्णः चन्द्रः इव/पूर्णचन्द्र-सदृशी)
शुक-अंकिताmarked with a parrot (sign)
शुक-अंकिता:
Karta (कर्ता)
TypeAdjective
Rootशुक + अङ्किता (अङ्क् धातु, क्त; कृदन्त)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; क्त-प्रत्ययान्त ‘अंकिता’; तत्पुरुष-समास (शुकेन/शुकचिह्नेन अंकिता)
कृष्ण-अत्र-हार-पाका(uncertain) connected with Krishna, ‘atra’, garland, and ripening/cooking
कृष्ण-अत्र-हार-पाका:
Karta (कर्ता)
TypeAdjective
Rootकृष्ण + अत्र + हार + पाक (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; बहुपद-तत्पुरुष-समास (पाठभेद/अर्थदुर्बोध); ‘पाका’ = पाचक/परिपाक-सम्बद्धा इति सम्भाव्य
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
वृन्दा-कुंज-विहारिणीshe who sports in Vṛndā’s grove
वृन्दा-कुंज-विहारिणी:
Karta (कर्ता)
TypeNoun
Rootवृन्दा + कुञ्ज + विहारिन् (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुष-समास (वृन्दायाः कुञ्जे विहारिणी)

Narada (in dialogue context with the Sanatkumara tradition; descriptive narration)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

V
Vrnda (Vrndavana)
S
Suka (parrot)
C
Candra (Moon)

FAQs

The verse functions as a dhyāna-lakṣaṇa (meditative description): by contemplating the deity’s emblems (staff, crown, moon, parrot) and her Vrindavana setting, the devotee steadies the mind in bhakti and gains devotional concentration (smṛti and dhyāna).

It teaches bhakti through visual remembrance—associating the beloved deity with Vṛndā’s groves (Vrindavana) and auspicious marks—so devotion becomes intimate, constant, and emotionally anchored in līlā-sthāna (the sacred play-ground).

It reflects a Vedāṅga-like lakṣaṇa method: precise identification of marks/emblems used for correct dhyāna and ritual visualization, supporting disciplined worship (upāsanā) and accurate iconographic recognition.