The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
वह्निः शेषासनो भांतः केवलो द्व्यक्षरो मनुः । एकाक्षरोक्त वत्सर्वं मुनिध्यानार्चनादिकम् ॥ १०९ ॥
vahniḥ śeṣāsano bhāṃtaḥ kevalo dvyakṣaro manuḥ | ekākṣarokta vatsarvaṃ munidhyānārcanādikam || 109 ||
‘Vahni’ (Agni), ‘Śeṣāsana’ (Aquele que repousa sobre Śeṣa), ‘Bhānta’ (o Radiante) e ‘Kevala’ (o Absoluto) são mantras sagrados de duas sílabas. Porém, no mantra de uma só sílaba declara-se tudo—como a meditação e a adoração dos munis e as disciplinas afins.
Narada (instructional discourse within Vedanga/Mantra-vidya section; traditionally framed in Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches mantra-hierarchy: many devotional and contemplative practices are said to be gathered into the potency of a single-syllable mantra, while certain divine epithets function as concise two-syllable mantras.
By presenting divine names like Śeṣāsana and Bhānta as mantras, it frames bhakti as name-based upāsanā—meditation and worship centered on the Lord—condensed into powerful mantra-forms.
A mantra-śāstra/phonetic (śikṣā-like) insight: the count of syllables (akṣara) matters, and specific akṣara-mantras are linked to defined ritual and meditative applications (dhyāna, arcana).