The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
मूर्ते नृसिंहशब्दान्ते महापुरुष ईरयेत् । प्रधानधर्माधर्मान्ते निगडेतिपदं वदेत् ॥ १६३ ॥
mūrte nṛsiṃhaśabdānte mahāpuruṣa īrayet | pradhānadharmādharmānte nigaḍetipadaṃ vadet || 163 ||
Ao final da palavra “mūrti”, deve-se pronunciar “nṛsiṃha”; ao final de “nṛsiṃha”, deve-se dizer “mahāpuruṣa”. E ao final da sequência “pradhāna–dharma–adharma”, deve-se enunciar a palavra “nigaḍeti”.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It gives a precise rule for placing and uttering specific divine epithets (Nṛsiṃha, Mahāpuruṣa) within a recitation sequence, showing that correct formulation and sound-order are treated as spiritually efficacious in Vedic-technical practice.
By prescribing the invocation of Nṛsiṃha and Mahāpuruṣa, it frames devotion as disciplined remembrance through correctly spoken names—bhakti expressed via exact mantra-style recitation rather than only emotion.
It reflects Vedāṅga concerns—especially Śikṣā (pronunciation) and Vyākaraṇa/pada-usage—by specifying where particular words should be appended/uttered in a recitation sequence.