Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
अङ्गानि पूर्वमाराध्य भूवह्निजलमारुतान् । दिक्पात्रेषु च सम्पूज्य कोणपत्रेषु तत्कलाः ॥ १४२ ॥
aṅgāni pūrvamārādhya bhūvahnijalamārutān | dikpātreṣu ca sampūjya koṇapatreṣu tatkalāḥ || 142 ||
Primeiro, deve-se propiciar os aṅgas (membros sagrados); depois, adorar a Terra, o Fogo, a Água e o Vento. Tendo-os devidamente cultuado nos vasos atribuídos às direções, deve-se também venerar, nas folhas dos cantos do diagrama ritual, as suas respectivas kalās (porções sutis de poder).
Narada (teaching in a technical/ritual sequence within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches an ordered ritual discipline: purifying and honoring the practitioner’s ‘limbs’ (aṅgas) first, then harmonizing with elemental forces and the cosmic directions, and finally acknowledging their subtle powers (kalās) within the sacred diagram—linking inner preparation with outer cosmology.
Bhakti here appears as methodical reverence: devotion is expressed through careful, complete worship (sampūjā) of the Lord’s manifest supports—elements and directions—so the devotee’s body, space, and intention become aligned for higher worship.
Ritual procedure and spatial arrangement: using direction-specific vessels (dikpātra), placing offerings on a maṇḍala/yantra’s corner-petals, and distinguishing gross elements from their kalās—typical of technical ritual instruction associated with Vedāṅga-style praxis.