Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
स्थिरासनो महाकायः सर्वकर्मावरोधकः । लोहितो लोहिताक्षश्च सामगानां कृपाकरः ॥ ७८ ॥
sthirāsano mahākāyaḥ sarvakarmāvarodhakaḥ | lohito lohitākṣaśca sāmagānāṃ kṛpākaraḥ || 78 ||
Ele está firmemente assentado e de corpo vasto; refreia todas as ações injustas. É o Vermelho, de olhos avermelhados, e é compassivo para com os que entoam os hinos do Sāma.
Narada (in dialogue context with Sanatkumara tradition; verse functions as an epithet-listing within the teaching)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
The verse presents Vishnu as the steady, all-encompassing Lord who checks harmful karma and responds with grace to sincere Vedic worship—especially Sāmaveda singing—showing that disciplined devotion and sacred sound attract divine compassion.
By highlighting the Lord’s कृपाकर (bestower of compassion) nature toward sāmagāna (Sāmaveda chanters), it frames bhakti as reverent, musically intoned Vedic praise offered with steadiness and purity, through which the devotee receives protection from adverse karmic tendencies.
It points to Sāmaveda practice—proper sāma-gāna (melodic chanting). In Vedanga terms, this aligns with Śikṣā (phonetics/intonation) and Chandas/Svara discipline, emphasizing accurate recitation and musical meter as a devotional-ritual skill.