Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
सचंद्रस्वरपूर्वं तु ङेतं शीतांशुमण्डलम् । मूर्द्धादिकंठपर्यंतं न्यसेञ्चांद्रिमनुस्प्ररन् ॥ १० ॥
sacaṃdrasvarapūrvaṃ tu ṅetaṃ śītāṃśumaṇḍalam | mūrddhādikaṃṭhaparyaṃtaṃ nyaseñcāṃdrimanuspraran || 10 ||
Então, tomando primeiro o fonema lunar (candra), deve fazer nyāsa, colocando o disco da lua, de raios frescos, do alto da cabeça até a garganta, enquanto interiormente recorda a radiância lunar.
Sanatkumara (teaching Narada in a technical Vedanga/mantra-prayoga context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a disciplined inner ritual (nyāsa) where lunar coolness is invoked and installed in the body, stabilizing the mind and subtle channels through meditative remembrance of cāṃdrī (moonlike radiance).
Though technical, it supports bhakti by training focused remembrance (anusmaraṇa): the practitioner internalizes a sacred form (here, lunar radiance) as a step toward steadier contemplation in worship.
It highlights mantra-prayoga with phonetic sequencing (svara/varṇa) and bodily placement (nyāsa), reflecting Śikṣā-style attention to sound and ritual visualization used in applied Vedic practice.