Vāmana’s Advent, Aditi’s Hymn, Bali’s Gift, and the Mahatmya of Bhū-dāna
स्तुत्यं मुनिगणैर्युक्तं सर्वलोकैकनायकम् । आविर्भूतं हरिं ज्ञात्वा कश्यपो हर्षविह्वलः । प्रणम्य प्रञ्जलिर्भूत्वा स्तोतुं समुपचक्रमे ॥ ७१ ॥
stutyaṃ munigaṇairyuktaṃ sarvalokaikanāyakam | āvirbhūtaṃ hariṃ jñātvā kaśyapo harṣavihvalaḥ | praṇamya prañjalirbhūtvā stotuṃ samupacakrame || 71 ||
Ao reconhecer que Hari—digno de louvor, acompanhado por hostes de sábios e único Senhor de todos os mundos—havia Se manifestado, Kāśyapa, tomado de júbilo, prostrou-se; e, com as mãos postas em reverência, começou a entoar hinos de louvor.
Sūta (narrator) describing Kāśyapa’s response
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It highlights the immediate, embodied response to divine revelation—recognition of Hari, followed by humility (praṇāma) and devotion expressed through praise (stuti).
Bhakti is shown as heartfelt reverence: seeing the Lord as the supreme guide of all worlds, the devotee naturally bows with folded hands and begins glorification, making praise itself a direct act of communion.
The verse emphasizes ritual-ethical conduct rather than a technical Vedāṅga: praṇāma (prostration) and prāñjali (joined palms) are standard marks of respectful worship used in Purāṇic and Vedic devotional practice.