Narada Purana — Purva Bhaga, Shloka 93
Anadhyaya and the Winds: From Vedic Recitation Protocol to Sanatkumara’s Moksha-Upadesha
परिभ्रमति संसारे चक्रवद्बाहुवर्जितः । संयमेन च संबंधान्निवृत्त्या तपसो बलात् ॥ ९३ ॥
paribhramati saṃsāre cakravadbāhuvarjitaḥ | saṃyamena ca saṃbaṃdhānnivṛttyā tapaso balāt || 93 ||
Privado dos “braços” dos meios corretos, alguém vagueia no saṃsāra como uma roda. Mas pelo autocontrole (saṃyama) cortam-se os apegos; pelo recolhimento (nivṛtti), com a força da austeridade (tapas), alcança-se a libertação.
Sanatkumara (teaching Narada on Moksha-dharma)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
FAQs
It frames saṃsāra as repetitive, mechanical wandering (like a wheel) caused by lack of true inner support, and teaches that liberation comes by cutting attachments through saṃyama and strengthening nivṛtti with tapas.
While not naming bhakti directly, it supports bhakti’s inner requirement: self-restraint and detachment from worldly ties. Such nivṛtti makes the mind fit for single-pointed devotion to Vishnu and freedom from binding attachments.
No specific Vedanga (like Vyākaraṇa or Jyotiṣa) is taught here; the practical takeaway is yogic discipline—saṃyama and tapas—as applied ethics and mind-training within Moksha-dharma.