Narada Purana — Purva Bhaga, Shloka 29
Nirukta, Phonetic Variants, and Vedic Dhātu–Svara Taxonomy
सहोऽनुदात्तेदेकस्तु रमैकोऽप्यात्मनैपदी । सदस्रय उदात्तेतः कुचाद्वेदा उदात्त इत् ॥ २९ ॥
saho'nudāttedekastu ramaiko'pyātmanaipadī | sadasraya udāttetaḥ kucādvedā udātta it || 29 ||
Pela regra fonética: “saha” é tomado como portador de anudātta (acento grave); “rama” é de forma única e também assume ātmanepada. “sadasraya” é marcado com udātta (acento elevado); e, a partir de “kuca”, a forma “vedā” deve igualmente ser entendida como udātta.
Sanatkumāra (teaching Nārada the technical marks of Śikṣā/Vyākaraṇa usage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
FAQs
It emphasizes that correct Vedic recitation depends on precise phonetics—especially udātta/anudātta accents—because mantra efficacy and faithful transmission of Vedic knowledge rely on accurate sound.
While not directly devotional, it supports bhakti practice by safeguarding mantra-śravaṇa and japa: devotion expressed through Vedic or Vaiṣṇava mantra recitation must preserve correct pronunciation and accent.
Śikṣā (phonetics) through udātta/anudātta accent indications, and Vyākaraṇa usage through noting forms that take ātmanepada (middle-voice) endings.