Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
आरिराधयिषू देवं अनङ्गाङ्गहरं हरम् ।
प्रचक्रतुः परं यत्नमुभौ संहतवाक्कलौ ॥
ārirādhayiṣū devamanaṅgāṅgaharaṃ haram / pracakratuḥ paraṃ yatnamubhau saṃhatavākkalau
Desejando propiciar o Deus—Hara, o destruidor do corpo de Ananga (Kāma)—os dois, unidos em voz e perícia, empreenderam o esforço supremo.
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Success in worship is linked to ekāgratā and cooperation: ‘united voice and skill’ models harmony of intention, method, and community.
Narrative devotion; outside pancalakṣaṇa.
Śiva as ‘burner of Kāma’ represents mastery over desire; musical discipline here becomes a vehicle for sublimation and inward control.