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Shloka 25

अध्याय ८२ — केशवप्रयाणे निमित्तदर्शनम्

Omens and Reception During Keśava’s Departure

मड्गल्यार्थप्रदै:ः शब्दैरन्ववर्तन्त सर्वश: । सारसा: शतपत्राश्न हंसाश्न मधुसूदनम्‌,सारस, शतपत्र तथा हंस पक्षी सब ओरसे मंगलसूचक शब्द करते हुए मधुसूदन श्रीकृष्णके पीछे-पीछे जाने लगे

maṅgalārthapradaiḥ śabdair anvavartanta sarvaśaḥ | sārasāḥ śatapatrāś ca haṃsāś ca madhusūdanam ||

Disse Vaiśaṃpāyana: Com clamores auspiciosos, portadores de bênçãos, as garças sarasa, as aves śatapatra e os cisnes seguiram Madhusūdana (Śrī Kṛṣṇa) de todos os lados. A cena enquadra a marcha de Kṛṣṇa como uma jornada acompanhada por presságios de bem-estar, sugerindo o peso moral e a significação dhármica de sua missão em meio à crise que se adensava.

मङ्गलार्थप्रदैःby auspicious-meaning-giving (sounds/words)
मङ्गलार्थप्रदैः:
Karana
TypeAdjective
Rootमङ्गलार्थप्रद
FormMasculine, Instrumental, Plural
शब्दैःby sounds/words
शब्दैः:
Karana
TypeNoun
Rootशब्द
FormMasculine, Instrumental, Plural
अन्ववर्तन्तfollowed
अन्ववर्तन्त:
Karta
TypeVerb
Rootअनु + वृत्त
FormImperfect (Laṅ), 3rd, Plural, Parasmaipada
सर्वशःon all sides / entirely
सर्वशः:
Adhikarana
TypeIndeclinable
Rootसर्वशस्
सारसाःcranes (sārasas)
सारसाः:
Karta
TypeNoun
Rootसारस
FormMasculine, Nominative, Plural
शतपत्राःbirds with ‘hundred wings/feathers’ (a kind of bird)
शतपत्राः:
Karta
TypeNoun
Rootशतपत्र
FormMasculine, Nominative, Plural
हंसाःswans/geese
हंसाः:
Karta
TypeNoun
Rootहंस
FormMasculine, Nominative, Plural
मधुसूदनम्Madhusūdana (Krishna)
मधुसूदनम्:
Karma
TypeNoun
Rootमधुसूदन
FormMasculine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśaṃpāyana
M
Madhusūdana (Śrī Kṛṣṇa)
S
sārasāḥ (cranes)
Ś
śatapatrāḥ (birds)
H
haṃsāḥ (swans)

Educational Q&A

The verse uses auspicious bird-calls as a narrative sign that Kṛṣṇa’s movement is aligned with welfare and dharmic purpose. In the Udyoga Parva’s tense pre-war setting, such omens underscore that righteous counsel and the pursuit of peace (or just action when peace fails) carry moral gravity and cosmic resonance.

As Kṛṣṇa proceeds on his way (in the broader Udyoga Parva context of negotiations and impending conflict), cranes, other named birds, and swans are described as following him from all sides while making auspicious sounds—an atmospheric detail that elevates the moment and signals favorable portents.