Shloka 9
आयोधनदर्शनम्
Viewing the Battlefield of Kurukṣetra
वह स्थान नरभक्षी राक्षसरोंको आनन्द दे रहा था। वहाँ सब ओर कुरर पक्षी छा रहे थे। अमंगलमयी गीदड़ियाँ अपनी बोली बोल रही थीं, गीध सब ओर बैठे हुए थे ।। ततो व्यासाभ्यनुज्ञातो धृतराष्ट्रो महीपति: । पाण्डुपुत्राश्न ते सर्वे युधिष्ठिरपुरोगमा:,उस समय भगवान् व्यासकी आज्ञा पाकर राजा धुृतराष्ट्र तथा युधिष्ठिर आदि समस्त पाण्डव रणभूमिकी ओर चले
tad deśaḥ narabhakṣī-rākṣasagaṇān ānandayām āsa | tatra sarvataḥ kurara-pakṣiṇaḥ samācchādayan | amaṅgalamayyāḥ śṛgālyo bhāṣante sma, gṛdhrāś ca sarvata upaviṣṭāḥ || tato vyāsābhyanujñāto dhṛtarāṣṭro mahīpatiḥ | pāṇḍuputrāś ca te sarve yudhiṣṭhira-purogamāḥ raṇabhūmiṃ prati jagmuḥ ||
Aquele lugar deleitava as hostes de rākṣasas devoradores de homens. Por toda parte, as aves kurara toldavam o céu; chacais de mau agouro soltavam seus brados, e abutres pousavam ao redor. Então, com a permissão de Vyāsa, o rei Dhṛtarāṣṭra e todos os filhos de Pāṇḍu, conduzidos por Yudhiṣṭhira, partiram em direção ao campo de batalha — entrando numa paisagem que, por si só, proclamava a ruína moral e o rastro deixado pela guerra.
वैशम्पायन उवाच
Educational Q&A
The verse frames the battlefield as a moral and ecological consequence of adharma: scavengers and ominous cries dominate, suggesting that violence degrades the world itself. Even rightful victory is shown as ethically costly, demanding sober reflection rather than triumph.
Vaiśaṃpāyana describes the battlefield’s dreadful omens—rākṣasas rejoicing, birds and scavengers gathering—then states that Dhṛtarāṣṭra, with Vyāsa’s permission, and the Pāṇḍavas led by Yudhiṣṭhira proceed toward the battlefield.