बक-राक्षसस्य आह्वानम् तथा वृक्षयुद्धम्
Summons of Baka and the Tree-Weapon Engagement
शीर्णपर्णफलै राजन् बहुगुल्मक्षुपैर्ट्रमै: । भग्नावभग्नभूयिष्ठैर्ननाद्रुमसमाकुलै:,राजन! (हवाके झोंकोंसे) वनके बहुसंख्यक छोटे-बड़े वृक्ष और गुल्म-लता आदि झुक- झुककर टूट गये थे। उनके पत्ते और फल इधर-उधर बिखर गये थे और उनपर पक्षी शब्द कर रहे थे। इन सबके कारण सम्पूर्ण दिशाओंमें अँधेरा छा रहा था
śīrṇa-parṇa-phalai rājan bahu-gulma-kṣupaiḥ drumaiḥ | bhagnāvabhagna-bhūyiṣṭhair nanādruma-samākulaiḥ, rājan ||
Vaiśampāyana disse: “Ó rei, a floresta estava coalhada de folhas e frutos caídos. Muitas árvores—junto com moitas, arbustos e trepadeiras—foram vergadas e partidas pela força das rajadas. Com troncos quebrados e semiquebrados por toda parte, o bosque tornou-se uma massa confusa de árvores estilhaçadas; e, em meio a esse tumulto, os clamores das aves ressoavam, como se a escuridão se espalhasse por todas as direções.”
वैशम्पायन उवाच
The verse uses violent disturbance in nature—broken trees, scattered leaves and fruits, and ominous sounds—to signal moral and narrative tension. In the Mahābhārata, such descriptions often function as portents: when dharma is threatened or a grave event approaches, the natural world appears unsettled, urging attentiveness and restraint.
Vaiśampāyana describes a forest scene battered by strong gusts: shrubs and trees are bent and broken, leaves and fruits are strewn about, and bird-cries echo. The overall effect is of darkness and foreboding spreading in every direction.