अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
क्वचिदञ्जनचूर्णाभैः क्वचिद् विद्रुमसन्निभैः क्वचित्काञ्चनसंकाशैः पुष्पैर् आचितभूतलम्
kvacidañjanacūrṇābhaiḥ kvacid vidrumasannibhaiḥ kvacitkāñcanasaṃkāśaiḥ puṣpair ācitabhūtalam
Em alguns lugares, o chão estava coberto de flores semelhantes ao pó de añjana; em outros, de flores como coral; e em outros ainda, de flores que brilhavam como ouro—de modo que a própria terra parecia ricamente atapetada.
Suta Goswami (narrating the sacred setting for Shiva-worship to the sages of Naimisharanya)
It emphasizes the sanctification of the puja-bhumi (ritual ground): beautifying and purifying the space with auspicious flowers is an outer act that supports inner reverence toward Pati (Shiva) during Linga-puja.
By portraying the earth transformed into a radiant, orderly sacred field, the verse indirectly reflects Shiva-tattva as the principle that turns ordinary prakriti into a consecrated realm when approached with bhakti and proper vidhi—guiding the pashu (soul) away from pasha (bondage) through disciplined worship.
Puja-vidhi focused on alankara (adornment) and mandala-like preparation of the worship area; such sattvika ordering of the environment functions as a supportive limb for mantra-japa, dhyana, and Pashupata-oriented inner steadiness.