क्षुपदधीचिसंवादः — शिलादतपः, वरसीमा, मेघवाहनकल्पे त्रिदेवसमागमः
ततः प्रणम्य देवेशं सहस्राक्षं सहामरैः प्रोवाच मुनिशार्दूल कृताञ्जलिपुटो हरिम्
tataḥ praṇamya deveśaṃ sahasrākṣaṃ sahāmaraiḥ provāca muniśārdūla kṛtāñjalipuṭo harim
Então, após prostrar-se diante do Senhor dos deuses—o de mil olhos—junto com os imortais reunidos, o sábio excelso, tigre entre os munis, com as mãos postas em reverência, dirigiu-se a Hari. Nesse humilde abandono, as almas vinculadas (paśu) voltam-se ao refúgio supremo, buscando libertar-se do laço (pāśa) pela graça do Senhor (pati).
Suta Goswami (narrating the scene; internal speaker: a great sage addressing Hari)
It highlights the foundational posture for all Linga-puja—pranama and añjali (reverent surrender). Such humility purifies the paśu (individual soul) and prepares one to receive the Lord’s grace that loosens pāśa (bondage).
Though Hari is addressed in the immediate scene, the verse models the Shaiva Siddhanta principle that the supreme Pati is approached through devotion and surrender; the narrative frame in the Linga Purana repeatedly points to grace as the decisive power for liberation.
The verse emphasizes pranama (prostration) and añjali-mudra as key devotional acts—basic yet potent limbs that support mantra, dhyana, and ultimately Pashupata-oriented discipline through surrender to the divine.