Sapta-dvīpa Cosmography and the Vision of Śvetadvīpa–Vaikuṇṭha
अन्ये महेश्वरपरास्त्रिपुण्ड्राङ्कितमस्तकाः / स्वयोगोद्भूतकिरणा महागरुडवाहनाः
anye maheśvaraparāstripuṇḍrāṅkitamastakāḥ / svayogodbhūtakiraṇā mahāgaruḍavāhanāḥ
Outros são devotados a Maheśvara (Śiva), com a testa marcada pelo tripuṇḍra, as três linhas de cinza sagrada; de sua própria disciplina ióguica irrompem raios de fulgor espiritual, e eles se movem montados no grande Garuḍa.
Narratorial voice in the Kurma Purana (describing classes of devotees and their yogic characteristics within a Shaiva–Vaishnava frame)
Primary Rasa: adbhuta
Secondary Rasa: shanta
By linking inner yogic attainment to outward radiance (kiraṇa), the verse implies that realization is an interior transformation—when consciousness is disciplined through yoga, it manifests as spiritual splendor, suggesting the Self’s luminous nature becomes evident through practice.
The verse points to sva-yoga—personal yogic discipline—whose fruit is udbhūta-kiraṇa, an arising of inner light/tejas. In Kurma Purana’s Shaiva–Vaishnava synthesis, such yoga aligns with Pāśupata-oriented restraint, concentration, and devotion that mature into visible spiritual power and clarity.
It presents Śaiva identity markers (tripuṇḍra, devotion to Maheśvara) alongside a distinctly Vaiṣṇava emblem (Garuḍa as vehicle), reflecting the Purana’s non-sectarian vision in which devotion and yogic accomplishment transcend rigid boundaries between Śiva and Viṣṇu.