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Agni Purana — Yoga & Brahma-vidya, Shloka 29

Chapter 378: Brahma-jñāna

Knowledge of Brahman

हिरण्यगर्भादिषु च ज्ञानकर्मात्मिका द्विधा त्रिविधा भावना प्रोक्ता विश्वं ब्रह्म उपास्यते

hiraṇyagarbhādiṣu ca jñānakarmātmikā dvidhā trividhā bhāvanā proktā viśvaṃ brahma upāsyate

Quanto a Hiraṇyagarbha e aos demais (princípios/divindades cósmicas), a contemplação (bhāvanā) é ensinada como dupla—de natureza de conhecimento (jñāna) e de ação (karma)—e também como tríplice; por ela, Brahman como universo deve ser venerado.

हिरण्यगर्भ-आदि-षुamong Hiraṇyagarbha and others
हिरण्यगर्भ-आदि-षु:
Adhikarana (अधिकरण/Location)
TypeNoun
Rootहिरण्यगर्भ (प्रातिपदिक) + आदि (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), बहुवचन; अधिकरणे
and
:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक निपात (conjunction)
ज्ञान-कर्म-आत्मिकाconsisting of knowledge and action
ज्ञान-कर्म-आत्मिका:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootज्ञान (प्रातिपदिक) + कर्मन् (प्रातिपदिक) + आत्मिक (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; ‘भावना’ इति विशेषण; ज्ञानकर्मस्वरूपा
द्विधाin two ways
द्विधा:
Sambandha (सम्बन्ध/Adverbial)
TypeIndeclinable
Rootद्विधा (अव्यय)
Formअव्यय, प्रकारवाचक क्रियाविशेषण (adverb of manner)
त्रिविधाthreefold
त्रिविधा:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootत्रिविध (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; ‘भावना’ इति विशेषण
भावनाcontemplation/meditation
भावना:
Karta (कर्ता/Subject)
TypeNoun
Rootभावना (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
प्रोक्ताis declared
प्रोक्ता:
Kriya (क्रिया/Predicate)
TypeVerb
Rootप्र-वच् (धातु) → प्रोक्त (कृदन्त, क्त)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; क्त-प्रत्ययान्त, कर्मणि; ‘(सा) प्रोक्ता’ = has been declared
विश्वम्the universe
विश्वम्:
Karma (कर्म/Object)
TypeNoun
Rootविश्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
ब्रह्मBrahman
ब्रह्म:
Karta (कर्ता/Agent in passive)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन; कर्तृपदं (agent of passive)
उपास्यतेis worshipped/meditated upon
उपास्यते:
Kriya (क्रिया/Verb)
TypeVerb
Rootउप-आस् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd person), एकवचन; आत्मनेपद, कर्मणि प्रयोग (passive): ‘is worshipped/meditated upon’

Lord Agni (in instruction to sage Vasiṣṭha, typical Agni Purana dialogue frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Mantra","practical_application":"Use graded contemplations—knowledge-based and action-based (and a threefold scheme)—to worship Brahman as the universe, integrating upasana with worldview.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Dvi-vidhā and Tri-vidhā Bhāvanā in Brahma-upāsanā (Hiraṇyagarbha context)","lookup_keywords":["Hiranyagarbha","jnana-bhavana","karma-bhavana","trividha bhavana","vishvam brahma upasya"],"quick_summary":"Contemplation is taught in two modes (knowledge/action) and also in a threefold arrangement, applied to Hiraṇyagarbha and cosmic principles. The practical aim is viśva-rūpa upāsanā—seeing and worshipping the universe as Brahman."}

Concept: Upāsanā-krama: bhāvanā can be knowledge-centered or action-centered, and also arranged as a threefold discipline, culminating in viśva-brahma-darśana.

Application: Daily practice: (1) karma-bhāvanā—offer actions as īśvara-arpaṇa; (2) jñāna-bhāvanā—contemplate witness-consciousness; (3) expand to viśva-upāsanā—perceive all forms as Brahman’s appearance.

Khanda Section: Jnana-Yoga and Upasana (Brahma-upasana / Puranic Vedanta-themed instruction)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"Hiraṇyagarbha as a golden cosmic embryo above a mandala of the universe; two and three streams of contemplation shown as distinct paths—one of ritual/action offerings, one of luminous knowledge, converging into worship of the cosmos as Brahman.","kerala_mural_prompt":"Kerala mural, Hiraṇyagarbha as golden orb-lotus, surrounding cosmic mandala with devas and elements, two/three flowing bands of color representing bhāvanā modes, stylized waves and lotuses, sacred geometry","tanjore_prompt":"Tanjore, central golden Hiraṇyagarbha with heavy gold embossing, devotees offering lamps (karma) on one side and sages in meditation (jnana) on the other, both facing a viśva-mandala, ornate arch and border","mysore_prompt":"Mysore style, didactic composition with clear separation of twofold and threefold practice panels, fine linework, soft gradients, labels implied by iconographic cues (offerings vs meditation), calm instructional mood","mughal_miniature_prompt":"Mughal miniature, cosmological diagram rendered as courtly painting, golden orb above, scholars and ritualists in separate groups, converging gaze toward a painted universe-map, intricate detailing and balanced symmetry"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kalyani","pace":"medium","voice_tone":"contemplative"}

Sandhi Resolution Notes: हिरण्यगर्भादिषु = हिरण्यगर्भ + आदि + षु; ज्ञानकर्मात्मिका is a tatpuruṣa compound qualifying भावना.

Related Themes: Agni Purana 378.30 (Brahman definition); Agni Purana 378.31 (saguṇa-to-nirguṇa meditation progression)

H
Hiraṇyagarbha
B
Brahman
V
Viśva (the Universe as Brahman)

FAQs

It teaches upāsanā through bhāvanā (structured contemplation): meditating on cosmic principles like Hiraṇyagarbha using both jñāna-oriented (insight) and karma-oriented (discipline/ritual-action) modes, and also through a threefold contemplative scheme.

Alongside ritual and practical sciences, the Agni Purana preserves systematic spiritual technologies—classifying meditation (bhāvanā) by method (jñāna/karma) and by a threefold model—showing it as a compendium that includes Vedānta-style contemplative practice.

By worshipping/meditating on Brahman as identical with the universe (viśvaṃ brahma), the practitioner integrates action and knowledge, purifying karma and stabilizing non-dual insight through sustained contemplation (bhāvanā).