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Agni Purana — Mantra-shastra, Shloka 19

Chapter 312 — Various Mantras (नानामन्त्राः)

अञ्जनं तिलकं वश्ये जिह्वाग्रे कविता भवेत् तज्जपान्मैथुनं वश्ये तज्जपाद्योनिवीक्षणम्

añjanaṃ tilakaṃ vaśye jihvāgre kavitā bhavet tajjapānmaithunaṃ vaśye tajjapādyonivīkṣaṇam

Ao aplicá-lo como colírio (añjana) e como tilaka na testa, obtém-se o poder de vaśya (subjugação/atração); e a poesia surge na ponta da língua. Pela recitação desse mantra, a união sexual fica sob controle; e pela recitação desse mantra, realiza-se a visão da yoni (órgão genital feminino).

अञ्जनम्collyrium
अञ्जनम्:
कर्म (Karma/object)
TypeNoun
Rootअञ्जन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
तिलकम्forehead mark / tilaka
तिलकम्:
कर्म (Karma/object)
TypeNoun
Rootतिलक (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
वश्येin (a rite for) subjugation
वश्ये:
अधिकरण (Adhikaraṇa/condition)
TypeAdjective
Rootवश्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; अर्थे 'वश्यत्वे' (in the state of being controllable)
जिह्वा-अग्रेon the tongue-tip
जिह्वा-अग्रे:
अधिकरण (Adhikaraṇa/location)
TypeNoun
Rootजिह्वा + अग्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (on the tip of the tongue)
कविताpoetry / eloquence
कविता:
कर्ता (Karta/subject of 'bhavet')
TypeNoun
Rootकविता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
भवेत्may arise / may become
भवेत्:
क्रिया (Kriyā/predicate)
TypeVerb
Rootभू (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन
तत्-जपात्from its repetition
तत्-जपात्:
अपादान (Apādāna/cause)
TypeNoun
Rootतद् + जप (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी-विभक्ति, एकवचन; तत्पुरुष (from the repetition of that [mantra])
मैथुनम्sexual union
मैथुनम्:
कर्ता (Karta/subject of implied 'bhavet')
TypeNoun
Rootमैथुन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
वश्येunder control / in subjugation
वश्ये:
अधिकरण (Adhikaraṇa/condition)
TypeAdjective
Rootवश्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचन; 'वश्यत्वे'
तत्-जपात्from its repetition
तत्-जपात्:
अपादान (Apādāna/cause)
TypeNoun
Rootतद् + जप (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी-विभक्ति, एकवचन
योनि-वीक्षणम्viewing the yoni (genital)
योनि-वीक्षणम्:
कर्ता (Karta/subject of implied 'bhavet')
TypeNoun
Rootयोनि + वीक्षण (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (viewing of the yoni)

Lord Agni (teaching a compendium of mantra-prayogas within the Agni Purana’s encyclopedic instruction, traditionally to Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Alamkara","practical_application":"Vashya-prayoga: mantra applied as añjana (collyrium) and tilaka for influence; mantra-japa linked to speech/poetic fluency and erotic/occult control rites.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Vāśya-prayoga: añjana/tilaka applications and mantra-japa effects","lookup_keywords":["vāśya","añjana","tilaka","kavitā-siddhi","maithuna"],"quick_summary":"The verse lists ritual applications of a mantra for subjugation and for awakening poetic speech, and mentions erotic/occult outcomes tied to mantra-japa."}

Concept: Mantra is presented as a tool for worldly siddhis (vāśya, vāk-siddhi), illustrating the purāṇic cataloging of pragmatic/occult techniques.

Application: As a textual study note: distinguish benefic rakṣā/śānti uses from coercive vāśya aims; emphasize ethical restraint and dhārmic intent in practice.

Khanda Section: Mantra-Tantra / Vashya-Prayoga (Occult rites and enchantment procedures)

Primary Rasa: shringara

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A practitioner prepares ritual collyrium and applies a tilaka while chanting; a second vignette shows poetic speech flowing (scrolls/verses near the tongue), and an erotic/occult vignette is implied but kept symbolic (lotus/yoni yantra motif) rather than explicit.","kerala_mural_prompt":"Kerala mural, sādhaka with small stone palette and collyrium rod, applying añjana and tilaka, mantra beads in hand; symbolic lotus-yantra motif for the later line, restrained iconography, traditional flat composition.","tanjore_prompt":"Tanjore, ritual cosmetics scene with gold detailing on vessels and ornaments; a stylized Sarasvatī-like motif near the mouth to indicate poetic gift; symbolic yantra panel (lotus) for the occult reference, non-explicit.","mysore_prompt":"Mysore painting, close-up instructional depiction of añjana preparation and tilaka placement, neat labeling feel, subtle symbolic script emerging near lips to show kavitā-siddhi.","mughal_miniature_prompt":"Mughal miniature, an ascetic-scholar in a study applying tilaka before a mirror, inkpot and manuscripts nearby; delicate calligraphy scrolls indicating poetry; symbolic lotus diagram in margin."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kafi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: जिह्वाग्रे = जिह्वा-अग्रे; तज्जपान्मैथुनं = तत्-जपात् + मैथुनम् (त्+ज्→ज्ज; त्+म→न्म्); तज्जपाद्योनिवीक्षणम् = तत्-जपात् + योनि-वीक्षणम् (त्+य्→द्य्).

Related Themes: Agni Purana 312 (vāśya/abhicāra-oriented prayogas in the same khanda)

A
Agni
M
Mantra (implied)
V
Vashya (enchantment/subjugation)

FAQs

It lists mantra-prayogas: applying the mantra as anjana (collyrium) and tilaka (forehead mark) for vashya (subjugation), and using japa (recitation) to obtain siddhis such as poetic speech and erotic/sexual control-related effects.

Beyond theology, the Agni Purana catalogs practical (and sometimes transgressive) mantra-tantra applications—showing its scope includes ritual technology, siddhi-lore, and applied esoteric procedures alongside dharma and devotion.

In puranic-tantric framing, such results are treated as mantra-siddhis (powers) arising from japa and ritual application; however, they are ethically charged, and traditional dharmic guidance would caution that vashya aims can bind one to desire-driven karma rather than liberation.