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Agni Purana — Ayurveda, Shloka 60

अश्ववाहनसारः

Aśvavāhana-sāra) — Essentials of Horses as Mounts (and Horse-Treatment

सम्पीड्य जानुयुग्मेन स्थिरमुष्टिस्तुरङ्गमं गोमूत्राकुटिला वेणी पद्ममण्डलमालिका

sampīḍya jānuyugmena sthiramuṣṭisturaṅgamaṃ gomūtrākuṭilā veṇī padmamaṇḍalamālikā

Pressionando firmemente com ambos os joelhos e mantendo um punho de pega estável sobre o cavalo—assim se prescreve. Os estilos de entrançar a crina são: a «curva de urina de vaca» (ondulação serpentina), a trança «em espiral», o padrão «círculo de lótus» e o arranjo «em grinalda».

सम्पीड्यhaving pressed
सम्पीड्य:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeVerb
Rootसम्-पीड् (धातु)
Formक्त्वान्त अव्यय (Gerund/Absolutive), धातु: पीड् with उपसर्ग सम्; ‘having pressed/squeezed’
जानु-युग्मेनwith the pair of knees
जानु-युग्मेन:
Karaṇa (करण)
TypeNoun
Rootजानु (प्रातिपदिक) + युग्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/करण), एकवचन; समास: षष्ठी-तत्पुरुष ‘of knees’ + ‘pair’
स्थिर-मुष्टिःa firm fist (grip)
स्थिर-मुष्टिः:
Karta (कर्ता)
TypeNoun
Rootस्थिर (प्रातिपदिक) + मुष्टि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; कर्मधारय: ‘firm’ + ‘fist/hand-grip’
तुरङ्गमम्the horse
तुरङ्गमम्:
Karma (कर्म)
TypeNoun
Rootतुरङ्गम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/कर्म), एकवचन
गो-मूत्र-आकुटिलाcurved like cow’s urine (shape-name)
गो-मूत्र-आकुटिला:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootगो (प्रातिपदिक) + मूत्र (प्रातिपदिक) + आकुटिल (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; समास: (गोमूत्र) षष्ठी-तत्पुरुष ‘cow’s urine’ + आकुटिला ‘curved/arched like’; used as विशेषण of वेणी
वेणीbraid / plait (a style/name)
वेणी:
Karta (कर्ता)
TypeNoun
Rootवेणी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन
पद्म-मण्डल-मालिकाa garland/series of lotus-circles (style-name)
पद्म-मण्डल-मालिका:
Karta (कर्ता)
TypeNoun
Rootपद्म (प्रातिपदिक) + मण्डल (प्रातिपदिक) + मालिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; समास: पद्ममण्डल ‘lotus-circle’ (तत्पुरुष) + मालिका ‘garland/series’

Lord Agni (teaching the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Shilpa","practical_application":"Mounted combat and riding control: correct knee-pressure and fist-grip for stability; standardized mane-braiding patterns for identification, discipline, and parade/war readiness.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Ashva-yantraṇa (knee-pressure, fist-grip) and mane-braiding patterns","lookup_keywords":["ashva-shiksha","janu-yugma-sampīḍana","sthira-muṣṭi","veṇī-bheda","padma-maṇḍala"],"quick_summary":"The verse prescribes core rider controls—firm bilateral knee pressure and steady fist-grip—then lists recognized mane-braid styles used for orderliness and visual coding of horses."}

Concept: Śikṣā through niyama (rule-based training) and saṃskāra (refinement) even in martial contexts.

Application: Cultivate steadiness and restraint; external order (grooming) supports internal discipline (control in motion).

Khanda Section: Dhanurveda / Ashva-shiksha (Equestrian & martial technique)

Primary Rasa: adbhuta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A mounted warrior demonstrates correct knee pressure and firm fist-grip on the reins while attendants braid the horse’s mane into named patterns: serpentine curve, spiral curl, lotus-circle, and garland.","kerala_mural_prompt":"Kerala temple mural style, flat yet rich colors, mounted kṣatriya rider showing knee-pressure posture, attendants braiding mane into lotus-circle and garland motifs, ornamental borders, traditional shading, dignified calm.","tanjore_prompt":"Tanjore painting, gold-leaf highlights on horse ornaments and braid garland, frontal poised rider with steady fist-grip, attendants with braided mane patterns, jewel-toned palette, embossed details.","mysore_prompt":"Mysore painting style, fine linework and soft washes, instructional composition showing knee placement and fist-grip, labeled braid motifs (serpentine, spiral, lotus-circle, garland), clean background.","mughal_miniature_prompt":"Mughal miniature, detailed horse anatomy and tack, courtly stable scene with groom braiding mane in distinct patterns, rider demonstrating control, delicate flora margins, precise textiles."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairav","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: स्थिरमुष्टिः = स्थिर-मुष्टिः (कर्मधारय). गोमूत्राकुटिला = गो-मूत्र-आकुटिला. पद्ममण्डलमालिका = पद्म-मण्डल-मालिका.

Related Themes: Agni Purana Dhanurveda sections on ratha/gaja/ashva training (adjacent adhyāyas); Agni Purana chapters on śilpa/alaṅkāra (ornamental classifications)

A
Agni
D
Dhanurveda
T
Turanga (horse)

FAQs

It teaches practical cavalry technique: controlling a horse by firm knee-pressure and a steady hand-grip, along with named mane-braiding patterns used for identification, discipline, or formal presentation.

Beyond theology, it preserves applied knowledge from martial and equestrian disciplines—showing the Agni Purana’s scope as a compendium that includes military training details alongside ritual and philosophical material.

While primarily technical, it supports dharmic kingship and protection of society: disciplined training of mounts and soldiers is framed as enabling righteous defense (rakṣaṇa) and orderly governance.