Vamana Purana — Slaying of Raktabija, Shloka 65

The Slaying of Raktabīja and Niśumbha–Śumbha; the Manifestation of the Mātṛkās and the Devas’ Hymn

Devanagari script

इमां स्तुतिं भक्तिपरा नरोत्तमा भवद्भिरुक्तामनुकीर्त्तयन्ति दुःस्वप्ननाशो भविता न संशयो वरस्तथान्यो व्रियतामभीप्सितः

Transliteration

imāṃ stutiṃ bhaktiparā narottamā bhavadbhiruktāmanukīrttayanti duḥsvapnanāśo bhavitā na saṃśayo varastathānyo vriyatāmabhīpsitaḥ

Translation

{"has_teaching": true, "teaching_type": "dharma", "core_concept": "Tejas as morally and cosmically weighty power requiring a proper vessel (adhikara).", "teaching_summary": "Divine energy is not merely physical fire but a charged potency that must be borne only by one fit to contain it; discernment precedes action.", "vedantic_theme": "Shakti/tejas as Bhagavat-śakti operating through qualified upadhis; restraint and fitness (adhikara) in handling power.", "practical_application": "Treat authority/energy (anger, charisma, ritual power) as something to be contained responsibly; seek the right ‘container’—discipline, guidance, and purity."}

Speakers

• Devī (continuing her address) granting fruits of the stuti to the praisers and future reciters

Primary Deities

• Devī

Key Themes

• Phalaśruti (recitation benefits)
• Duḥsvapna-nivāraṇa (removal of nightmares)
• Bhakti and liturgical repetition
• Boons (vara)

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why do Purāṇas often mention ‘destruction of bad dreams’ as a fruit of stuti?

Duḥsvapna is treated as a marker of aśubha (inauspiciousness) and psychological/spiritual disturbance. Promising its removal frames the hymn as apotropaic—protective in daily life—linking devotion, ritual speech, and well-being.

Who are the “narottamāḥ” here—gods or humans?

Although the immediate audience includes devas/ṛṣis, the wording broadens the scope to exemplary human devotees as future reciters. Purāṇic phalaśrutis commonly universalize the benefit beyond the original scene.

What is meant by “another boon may be chosen”?

It indicates an open-ended varadāna: beyond the specific fruit (duḥsvapna-nāśa), the devotee may request an additional desired boon, consistent with the Goddess’s role as a responsive grantor to sincere bhakti and stuti.