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Padma Purana — Svarga Khanda, Shloka 9

The Glory of Bhārata-varṣa: Enumerating Mountains, Rivers, and Regions

अविज्ञाताः सारवंतो विपुलाश्चित्रसानवः । अन्ये तु ये परिज्ञाता ह्रस्वा ह्रस्वोपजीविनः

avijñātāḥ sāravaṃto vipulāścitrasānavaḥ | anye tu ye parijñātā hrasvā hrasvopajīvinaḥ

ਜੋ ਅਣਜਾਣ ਰਹਿ ਗਏ ਹਨ, ਉਹ ਭਾਰੀ ਤੇ ਵਿਸ਼ਾਲ ਹਨ, ਅਦਭੁਤ ਚੋਟੀਆਂ ਵਾਲੇ। ਪਰ ਜੋ ਪ੍ਰਸਿੱਧ ਹਨ, ਉਹ ਛੋਟੇ ਹਨ—ਛੋਟੇ ਸਾਧਨਾਂ ਨਾਲ ਜੀਊਂਦੇ ਹਨ।

अविज्ञाताःunknown
अविज्ञाताः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootअविज्ञात (कृदन्त; √ज्ञा धातु, क्त-प्रत्यय; अ-निषेध)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; भूतकर्मणि क्त-प्रत्ययान्तम् (PPP)
सारवन्तःsubstantial, rich in essence
सारवन्तः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootसारवत् (प्रातिपदिक; सार + वतुप्)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; वतुप्-प्रत्ययान्तः (possessive: 'having essence')
विपुलाःvast
विपुलाः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootविपुल (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्
चित्रसानवःwith varied slopes/ridges
चित्रसानवः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootचित्रसानु (प्रातिपदिक; चित्र + सानु)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; 'चित्राः सानवः येषाम्' इत्यर्थे (having varied ridges/slopes)
अन्येothers
अन्ये:
Karta (Subject/कर्ता)
TypeNoun
Rootअन्य (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; 'others' (nominative plural)
तुbut
तु:
Sambandha (Connector)
TypeIndeclinable
Rootतु (अव्यय)
Formविरोध/विशेषार्थक-निपातः (particle: 'but/indeed')
येwho
ये:
Karta (Subject/कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; सम्बन्धक-सर्वनाम (relative pronoun: 'who')
परिज्ञाताःwell-known
परिज्ञाताः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootपरिज्ञात (कृदन्त; √ज्ञा धातु, क्त-प्रत्यय; परि-उपसर्ग)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; भूतकर्मणि क्त-प्रत्ययान्तम् (PPP: 'well-known')
ह्रस्वाःsmall/short
ह्रस्वाः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootह्रस्व (प्रातिपदिक)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्
ह्रस्वोपजीविनःliving on little, of meagre livelihood
ह्रस्वोपजीविनः:
Visheshana (Adjectival modifier/विशेषण)
TypeAdjective
Rootह्रस्वोपजीविन् (प्रातिपदिक; ह्रस्व + उपजीविन्)
Formपुंलिङ्गे प्रथमा (1st/प्रथमा), बहुवचनम्; 'ह्रस्वेन उपजीवन्ति' इत्यर्थे (dependent on scant means)

Unspecified in the provided excerpt (context needed from surrounding verses to confirm the dialogue frame, e.g., Pulastya–Bhīṣma).

Concept: Hidden worth surpasses public renown; cultivate substance over display.

Application: Prefer quiet discipline—japa, vrata-niyama, charity, and truthful living—without craving recognition; evaluate teachers/communities by conduct and compassion rather than popularity.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A contemplative sage sits on a high, mist-wreathed ridge, pointing toward two landscapes: one is a vast, unnamed mountain range with hidden valleys and towering, wondrous peaks; the other is a small, crowded hill-town plastered with banners and praise. Pilgrims pass by, some chasing the noisy fame, others quietly turning toward the silent grandeur.","primary_figures":["a meditative ṛṣi (narrator-figure)","anonymous pilgrims","personified Mountain-Spirit (optional)"],"setting":"Himalayan-like overlook with distant ranges, a small bustling settlement below, and a quiet path leading into the unknown heights.","lighting_mood":"golden dawn","color_palette":["mist silver","pine green","slate blue","saffron gold","earth umber"],"tanjore_prompt":"Tanjore painting style: a serene ṛṣi on a rocky pedestal gestures toward two contrasting vistas—an expansive, unnamed mountain with ornate, stylized peaks and a small famed town below; gold leaf highlights on the peaks and the sage’s halo, rich maroon and emerald accents, gem-studded ornaments on symbolic banners, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: delicate brushwork showing layered blue-grey mountains fading into mist, a small lively hill settlement with tiny figures and flags, and a calm sage in simple robes; lyrical naturalism, refined faces, cool palette with warm dawn wash, Himalayan flora along the path.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; central sage with large expressive eyes, stylized mountains behind—one vast and quiet, one small and crowded; red-yellow-green palette with ochre rocks, minimal but powerful symbolism of humility vs fame.","pichwai_prompt":"Pichwai cloth painting style: allegorical composition with lotus borders and floral vines; a saintly figure points to a grand, unnamed ‘tīrtha-mountain’ rendered as a patterned motif, contrasted with a small celebrated shrine crowded with devotees; deep indigo background, gold detailing, intricate border work, peacocks perched on rocks to suggest discernment."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","mountain wind","distant temple bell","brief silence between pādas"]}

Sandhi Resolution Notes: विपुलाश्चित्रसानवः = विपुलाः + चित्रसानवः; ह्रस्वोपजीविनः = ह्रस्व + उपजीविनः (o-sandhi).

FAQs

It contrasts hidden greatness (unknown yet substantial and expansive) with public fame that may be outwardly prominent but inwardly “small,” sustained by limited substance.

Not necessarily; it cautions that recognition is not a reliable measure of real worth—true value can remain unnoticed, while what is popular may be shallow.

Seek substance over reputation: cultivate genuine qualities and depth rather than pursuing mere visibility or acclaim.