Shloka 175
Slaying of Andhaka; Hymn to the Sun; Glory of Brahmins; Gayatri Nyasa and Pranayama
गोकारं जठरे न्यस्य देकारं स्तनयोर्न्यसेत् । वकारं हृदये न्यस्य स्यकारं करदेशतः
gokāraṃ jaṭhare nyasya dekāraṃ stanayornyaset | vakāraṃ hṛdaye nyasya syakāraṃ karadeśataḥ
ਉਦਰ ਵਿੱਚ ‘ਗੋ’ ਅੱਖਰ ਨਿਆਸ ਕਰਕੇ, ਦੋਨਾਂ ਸਤਨਾਂ ਉੱਤੇ ‘ਦੇ’ ਅੱਖਰ ਧਰੋ। ਹਿਰਦੇ ਵਿੱਚ ‘ਵ’ ਰੱਖੋ ਅਤੇ ਹੱਥਾਂ ਦੇ ਦੇਸ਼ ਵਿੱਚ ‘ਸ੍ਯ’ ਅੱਖਰ ਸਥਾਪਿਤ ਕਰੋ।
Unspecified in the provided excerpt (instructional nyāsa passage within the Sṛṣṭikhaṇḍa narrative).
Concept: Devotion is not only mental; it is installed into the heart and expressed through the hands as service.
Application: Before daily worship, pause to ‘place’ attention in heart and hands: speak less, serve more; let actions become offerings.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A devotee touches the belly, chest, heart, and hands in a measured sequence, each touch releasing a faint luminous syllable that settles like a tiny lotus-seal. The hands glow last, suggesting readiness for offering flowers, water, and Tulasi to Vishnu.","primary_figures":["Vaishnava sādhaka","Vishnu (implied presence)"],"setting":"Home shrine with Vishnu image, brass vessels, flower plate, tulasi leaves arranged for offering.","lighting_mood":"golden dawn","color_palette":["warm gold","conch white","emerald green","vermillion red","deep indigo"],"tanjore_prompt":"Tanjore painting style: dawn-lit home shrine scene, devotee performing nyāsa with precise mudrā-like touches to belly, chest, heart, then hands; gold-leaf akṣaras shimmer subtly; Vishnu icon on a pedestal with ornate arch, rich reds/greens, gem-studded altar ornaments, conch and discus motifs, heavy gold leaf halo effects.","pahari_prompt":"Pahari miniature style: intimate domestic puja room, delicate brushwork shows the devotee’s fingertips and soft facial calm; faint glowing syllables hover near heart and hands; cool refined palette with lyrical realism, small tulasi pot and flower tray, thin architectural borders.","kerala_mural_prompt":"Kerala mural style: stylized devotee with bold outlines, performing nyāsa; heart region emphasized with a lotus emblem and glyph; hands highlighted as service-bearing; temple-wall aesthetic pigments, strong reds/yellows/greens with deep blue background aura.","pichwai_prompt":"Pichwai cloth painting style: central blue Vishnu aura framed by lotus vines; foreground devotee’s hands glow as if ready to offer tulasi and flowers; ornate floral borders, peacocks and cows as decorative motifs, deep blues and gold with intricate patterning."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft hand-bell","incense crackle","morning birds","gentle silence"]}
Sandhi Resolution Notes: stanayornyaset → stanayoḥ nyaset.
FAQs
It describes a form of nyāsa—ritual placement of mantra-syllables on specific body locations (abdomen, breasts, heart, and hands) as part of mantra-vidhi or worship preparation.
Nyāsa symbolically sacralizes the practitioner’s body, aligning bodily centers with mantra-power and preparing one for japa or pūjā by internalizing the deity/mantra.
Not in the provided line; it is a technical instruction about syllable placement rather than a narrative reference to a deity, place, or ethical teaching.