Shloka 7
Kārttika-vrata Discipline: Purity Rules, Morning Bath Saṅkalpa, Tilaka Injunctions, and Food Prohibitions
उभयोर्दश दातव्या पादयोश्च त्रिभिस्त्रिभिः । मुखशुद्धिं ततः कुर्य्यात्संकल्पं स्नपनस्य च
ubhayordaśa dātavyā pādayośca tribhistribhiḥ | mukhaśuddhiṃ tataḥ kuryyātsaṃkalpaṃ snapanasya ca
ਦੋਹਾਂ ਹੱਥਾਂ ਉੱਤੇ ਦਸ ਦਸ ਵਾਰ ਦੇਵੇ, ਅਤੇ ਪੈਰਾਂ ਉੱਤੇ ਤਿੰਨ ਤਿੰਨ ਵਾਰ। ਫਿਰ ਮੁਖ ਦੀ ਸ਼ੁੱਧੀ ਕਰੇ, ਅਤੇ ਉਸ ਤੋਂ ਬਾਅਦ ਸਨਾਨ-ਵਿਧੀ ਲਈ ਸੰਕਲਪ ਕਰੇ।
Not explicitly identifiable from the single verse (context required from surrounding verses).
Concept: Purification culminates not merely in washing but in saṅkalpa—intentional dedication that converts an act into a vow-offering.
Application: Before any spiritual practice (bath, japa, pūjā), pause to set a clear intention; complete hygiene steps, then consciously dedicate the act to a higher purpose.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"A devotee completes the final steps of purification—washing both hands and feet—then rinses the mouth, eyes lowered in composure. Standing at the edge of a ghat, he raises a palm in a quiet vow-gesture, forming the saṅkalpa for the bathing rite as the water shimmers invitingly.","primary_figures":["vratī (devotee)"],"setting":"Stone ghat steps leading into a calm river or temple tank; small water pot, clean cloth, and a simple marker of sacred space (lamp or flag).","lighting_mood":"golden dawn","color_palette":["sunrise amber","stone slate","water turquoise","white pearl","marigold orange"],"tanjore_prompt":"Tanjore painting style: ghat at dawn with ornate steps; devotee washing hands/feet and performing ācamana (mouth cleansing), then saṅkalpa gesture; gold leaf on sunrise halo and water highlights, rich reds/greens in decorative borders, traditional iconographic clarity.","pahari_prompt":"Pahari miniature style: serene dawn at a river ghat, delicate brushwork capturing ācamana gesture and reflective water; soft pastel sky, refined facial features, lyrical minimalism with a few birds in flight.","kerala_mural_prompt":"Kerala mural style: iconic devotee at a stylized ghat, bold outlines; sequential feel—hands/feet cleansing, mouth cleansing, then saṅkalpa; warm red/yellow/green palette with temple-wall compositional symmetry.","pichwai_prompt":"Pichwai cloth painting style: devotional dawn-bath motif framed by lotus and floral borders; stylized waves, small lamps, and a central devotee in saṅkalpa pose; deep blues with gold and saffron accents, intricate ornamentation."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["gentle water lapping","distant conch","soft bells","morning birds"]}
Sandhi Resolution Notes: ubhayor = ubhayoḥ; pādayośca = pādayoḥ + ca; tribhistribhiḥ = tribhiḥ + tribhiḥ; kuryyāt = kuryāt; kuryyātsaṃkalpam = kuryāt + saṅkalpam
FAQs
It prescribes a sequence: specific offerings/handfuls given to both (hands/sides) and to the feet (three each), followed by mouth purification, and then the formal saṅkalpa for the bathing rite.
Saṅkalpa is the stated intention that frames the act as a disciplined religious observance; it is performed after preliminary purification (such as cleansing the mouth).
Yes: it emphasizes intentionality and purity—external acts (washing/offerings) are to be joined with inner resolve (saṅkalpa) to complete the rite properly.