HomeVamana PuranaAdh. 7Shloka 45
Previous Verse
Next Verse

Vamana Purana — Prahlada vs Nara-Narayana, Shloka 45

Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti

स ददर्श ततो ऽदूरात्कृष्णाजिनधरौ मुनी समुन्नतजटाभारौ तपस्यासक्तमानसौ

sa dadarśa tato 'dūrātkṛṣṇājinadharau munī samunnatajaṭābhārau tapasyāsaktamānasau

ତେବେ ସେ ଅଦୂରରେ କୃଷ୍ଣାଜିନ ଧାରଣ କରିଥିବା ଦୁଇ ମୁନିଙ୍କୁ ଦେଖିଲା—ଉନ୍ନତ ଜଟାଭାର ସହ, ତପସ୍ୟାରେ ଲୀନ ମନସ୍କ।

सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular); सर्वनाम (pronoun)
ददर्शsaw
ददर्श:
क्रिया (Kriyā/Verb)
TypeVerb
Rootदृश् (धातु)
Formलिट्-लकार (Perfect), परस्मैपद, प्रथम-पुरुष (3rd person), एकवचन (Singular)
ततःthen; from there
ततः:
अधिकरण (Adhikaraṇa/Temporal-Local)
TypeIndeclinable
Rootतद् (सर्वनाम-प्रातिपदिक)
Formअव्यय (indeclinable adverb); अर्थे—‘then/from there’
अदूरात्from nearby; not far away
अदूरात्:
अपादान (Apādāna/Ablative source)
TypeIndeclinable
Rootअदूर (प्रातिपदिक)
Formपञ्चमी-अर्थे अव्ययीभाववत् प्रयोगः (ablatival adverbial use); ‘from not far’
कृष्णाजिनधरौthe two wearers of black antelope-skins
कृष्णाजिनधरौ:
कर्म (Karma/Object)
TypeNoun
Rootकृष्णाजिन + धर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/2nd), द्विवचन (Dual); समासः—कृष्णाजिनं धरतीति (कर्मधारय/षष्ठी-तत्पुरुषार्थः)
मुनीtwo sages
मुनी:
कर्म (Karma/Object)
TypeNoun
Rootमुनि (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/2nd), द्विवचन (Dual)
समुन्नतजटाभारौhaving lofty masses of matted hair
समुन्नतजटाभारौ:
कर्म (Karma/Object; adjectival to object)
TypeAdjective
Rootसमुन्नत + जटा + भार (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/2nd), द्विवचन (Dual); विशेषणम् (adjective) ‘मुनी’ इत्यस्य; समासः—समुन्नतः जटाभारः यस्य (तत्पुरुष)
तपस्यासक्तमानसौwhose minds were attached to austerity
तपस्यासक्तमानसौ:
कर्म (Karma/Object; adjectival to object)
TypeAdjective
Rootतपस्या + आसक्त + मानस (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (Accusative/2nd), द्विवचन (Dual); विशेषणम् ‘मुनी’; समासः—तपस्यायाम् आसक्तं मानसं यस्य (तत्पुरुष)
Narrative layer not explicit in the given excerpt (commonly Pulastya ↔ Nārada in Vāmana Purāṇa).
Tapas (austerity)Ascetic iconographyTransition from martial to spiritual encounter

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Purāṇic narratives often pivot from force to counsel: the appearance of tapasvin sages signals that dharma is ultimately guided by spiritual authority and inner discipline rather than mere martial prowess.

Carita-style episode development: introduction of munis as agents of guidance/curse/boon is a standard narrative device within genealogical-historical narration (vamśānucarita).

Kṛṣṇājina and jaṭā are markers of Vedic-ascetic legitimacy; the ‘raised matted hair’ and absorbed minds indicate accumulated tapas-śakti, a counterforce to daitya krodha and a potential turning point in the episode.