पीतांबरधरः स्रग्वी नारदादिभिरीडितः । तार्क्ष्यासनो मुकुटवान्महेन्द्रादिविभूषितः
pītāṃbaradharaḥ sragvī nāradādibhirīḍitaḥ | tārkṣyāsano mukuṭavānmahendrādivibhūṣitaḥ
ପୀତାମ୍ବର ପରିଧାନ କରି, ବନମାଳାରେ ଶୋଭିତ, ନାରଦାଦି ଋଷିମାନଙ୍କ ଦ୍ୱାରା ସ୍ତୁତ, ତାର୍କ୍ଷ୍ୟ (ଗରୁଡ) ଆସନରେ ଆସୀନ, ମୁକୁଟଧାରୀ ଏବଂ ମହେନ୍ଦ୍ରାଦି ଦେବମାନଙ୍କୁ ଯୋଗ୍ୟ ଆଭୂଷଣରେ ବିଭୂଷିତ—ଏମିତି ହରିଙ୍କ ଦର୍ଶନ ହୁଏ।
Brahmā (deduced; Vaiṣṇavakhaṇḍa narration style)
Tirtha: Ayodhyā-kṣetra (Hari-darśana/dhyāna)
Type: kshetra
Scene: A radiant vision of Hari in Ayodhyā: yellow silk, flower garland, kirīṭa crown, seated upon Garuḍa-throne, surrounded by Nārada and sages singing praise; divine ornaments gleam like Indra’s splendor.
True merit arises from devotional remembrance and reverent vision of Hari, praised by sages and honored by the gods.
Ayodhyā, presented as a place where Hari’s majesty and grace are especially accessible through devotion.
No explicit rite is stated here; the verse emphasizes contemplative darśana/meditation on Hari’s form.