देवतुल्यप्रभायुक्तैर्नृपपुत्रैश्च संयुता । सुरूपाभिर्वरस्त्रीभिर्देवस्त्रीभिरिवावृता
devatulyaprabhāyuktairnṛpaputraiśca saṃyutā | surūpābhirvarastrībhirdevastrībhirivāvṛtā
ସେ ପୁରୀ ଦେବତୁଲ୍ୟ ପ୍ରଭାଯୁକ୍ତ ରାଜପୁତ୍ରମାନଙ୍କରେ ପରିପୂର୍ଣ୍ଣ; ଏବଂ ସୁରୂପା ଶ୍ରେଷ୍ଠ ନାରୀମାନଙ୍କଦ୍ୱାରା—ମନେ ଦେବସ୍ତ୍ରୀମାନଙ୍କଦ୍ୱାରା—ଚତୁର୍ଦ୍ଦିଗରୁ ଆବୃତ।
Brahmā (deduced for Vaiṣṇavakhaṇḍa narrative context)
Tirtha: Ayodhyā
Type: kshetra
Scene: A royal avenue in Ayodhyā: radiant princes in fine garments and ornaments, moving with dignity; noble women with graceful posture and jeweled attire, likened to celestial maidens; architecture and gardens frame the procession.
When kingship follows dharma, society becomes luminous—nobility is portrayed as godlike radiance and refined conduct.
Ayodhyā, praised as a city of dhārmic royalty and refined populace.
No ritual instruction appears; the focus is on dhārmic social order and auspiciousness.