Mantra 6
Agni kindled as Hotṛ: invoking the gods, securing wealth, and protecting the sacrifice
त्वमग्ने वसूंरिह रुद्रां आदित्यां उत यजा स्वध्वरं जनं मनुजातं घृतप्रुषम्
tvamagne vasūṃriha rudrāṃ ādityāṃ uta yajā svadhvaraṃ janaṃ manujātaṃ ghṛtapruṣam
tvám1 agne2 vasū́ṃ3 iha1 rudrā́n2 ādityā́n3 uta1 yaja2 svadhvaráṃ3 jánaṃ1 manujātáṃ2 ghṛtapruṣáṃ3
ହେ ଅଗ୍ନି, ତୁମେ ଏଠାରେ ବସୁମାନଙ୍କୁ, ରୁଦ୍ରମାନଙ୍କୁ ଏବଂ ଆଦିତ୍ୟମାନଙ୍କୁ ଯଜ; ଏବଂ ମନୁଷ୍ୟଜାତିର ସୁଧ୍ୱର (ସୁସଂବିଧିତ) ଯଜ୍ଞକୁ—ଘୃତପ୍ରୁଷ (ଘୃତରେ ସିଞ୍ଚିତ) ବିଧିକୁ—ସେହିକୁ ମଧ୍ୟ ଯଜ।
tvam | agne | vasūn | iha | rudrān | ādityān | uta | yaja | su-adhvaram | janam | manu-jātam | ghṛta-pruṣam
Agneya-sāman (generic; specific tune not stated in input)
{ "prastava": "(typical Agneya prastāva with stobha prelude, e.g., ‘o/ho-i’ style; exact text depends on gāna)", "udgitha": "Core verse text elongated on agne / yaja and deity triads.", "pratihara": "Responsive cadence reinforcing the ‘yaja’ command and stabilizing the tonal center.", "upadrava": "Re-entry emphasizing svādhvaraṃ and ghṛtapruṣam with extended vowels.", "nidhana": "Closing nidhana formula (often ‘hā u ho i’/‘om’ style in Kauthuma practice; exact depends on sāman)", "structure_notes": "In Kauthuma performance, lists of deities often receive measured elongation; semantic pivots (yaja, svādhvaram) take the main melodic peak.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha+upadrava; Pratihartṛ: pratihāra; all/chorus: nidhana." }
{ "gloss_summary": "svādhvara = su-adhvara, a sacrifice duly performed, uninjured by faults (doṣa) and free from himsā; ghṛtapruṣa = marked by ghee-sprinkling/ājyāhuti; manujāta = the human patron (yajamāna).", "ritual_interpretation": "Agni is commanded to invite the deity-hosts and to make the rite faultless, ensuring offerings reach the gods without obstruction.", "theological_insight": "Ritual correctness is not mere formality: it is the condition by which divine presence becomes accessible and beneficent.", "etymology_highlights": "svādhvara (su+adhvara) ‘good sacrifice’; ghṛta-pruṣ ‘ghee-sprinkled’ emphasizing ājya as consecrating medium." }