मुनि: पायसदिग्धाज़ीं रथे तूर्णमयोजयत् । तमारुहाय रथं चैव निर्ययौ स गृहान्मम
muniḥ pāyasadigdhāṅgīṃ rathe tūrṇam ayojayat | tam āruhāya rathaṃ caiva niryayau sa gṛhān mama ||
ଯାହାଙ୍କ ସମସ୍ତ ଅଙ୍ଗରେ ପାୟସ ଲେପା ଥିଲା, ସେଇ ମହାରାଣୀଙ୍କୁ ମୁନି ତୁରନ୍ତ ରଥରେ ଯୋଡ଼ିଦେଲେ। ସେହି ରଥରେ ଆରୋହଣ କରି ସେ ମୋ ଘରୁ ବାହାରିଗଲେ।
वायुदेव उवाच
That determined action grounded in a higher purpose (often linked with tapas and dharma) proceeds without being hindered by external status or physical condition; the narrative highlights swift execution of resolve and the authority attributed to ascetic agency.
Vāyu narrates that a sage quickly harnesses a queen—her body described as smeared with pāyasa—to a chariot, then mounts the chariot and departs from Vāyu’s dwelling, indicating a sudden, purposeful departure within the episode.